Showing posts with label tradition. Show all posts
Showing posts with label tradition. Show all posts
International
Women's
Day

A Rich Tradition:
International Women's Day

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By Kathy Durkin (*)
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“A Salute to Women’s Resistance” is the perfect slogan for the commemoration of the 100th anniversary of International Women’s Day (IWD), March 8th. Struggle is what this day signifies and what its traditions are all about. That and solidarity with women in struggle worldwide are at the heart of this special day.

Its origins were in the working-class and socialist movements in New York City and Europe, where the socialist movement was agitating for women’s rights, too.

On March 8, 1908, 15,000 women garment workers, including many immigrants, marched through New York City’s Lower East Side to rally at Union Square to demand economic and political rights. They honored a similar march by their forebears in 1857 on that date.

Inspired by that march, women immigrant garment workers staged a three-month strike, the “Uprising of the 20,000,” from 1909-1910, against Triangle Shirtwaist and other sweatshops. Women as young as 16 years old faced down police in the dead of winter. Sadly, one year later, an estimated 146 immigrant workers, women and girls, perished in the horrific Triangle Shirtwaist Fire. Subsequent IWD protests demanded workplace safety regulations and remembered those who lost their lives.

This was a rich period of social protest and working-class and socialist organizing. One-third of the 60,000 people who marched on May Day in 1910 in Union Square were women socialists and unionists.

Women in the European socialist movement were closely watching these developments in the U.S. while waging their own struggles. German socialist Clara Zetkin had agitated for several years for a special day to mark working women’s global solidarity.

Further inspired by the New York women garment workers’ struggles and the strong role of women socialists, Zetkin proposed designating International Women’s Day at an International Socialist Congress in Copenhagen in 1910. Women delegates from 17 countries unanimously concurred.

The following year, this declaration’s impact was shown when one million women poured into the streets throughout Europe on the first IWD to demand their rights. And in 1913 and 1914, European women rallied against the burgeoning imperialist war and in sisterly solidarity on that day.

In 1917, Russian women textile workers went on strike to mark IWD, demanding " peace, land and bread.” It sparked the struggle to topple the czar, which then led to the workers’ revolution. The Soviet Union officially recognized IWD in 1921; it was the first government to enact laws codifying women’s rights.

Since then, socialist countries and liberation movements have commemorated IWD. Revolutionaries, progressive forces and women workers have marked it with creative, militant actions—demonstrations, strikes and sit-ins—aimed at imperialist war, globalization, poverty, exploitation, racism and all forms of oppression and inequality.

Although the U.S. and other capitalist governments conceal IWD’s socialist, working-class and struggle origins, its real history and meaning have been demonstrated by women worldwide with displays of solidarity and fight-back.

The courageous struggle of the Vietnamese women against the U.S. war inspired women internationally. Starting in the 1960s, the African-American, Latin@, Chicano and Native liberation movements stirred women’s struggles here.

The Women’s Caucus of Youth Against War and Fascism revived the militant, class-conscious and struggle traditions of IWD in the U.S. in 1970 by rallying at New York’s Union Square. They marched to the Women’s House of Detention to protest racism, poverty and political repression, and to express solidarity with the oppressed women inside, including Joan Bird, members of the Panther 21.

Some global highlights of IWD are:

≤In a stunning action in 1970, the revolutionary Tupamaros freed women prisoners from Uruguay’s jails.

≤In 1971, Philippine women protested against the Marcos dictatorship and, since 2001, have militantly defied the U.S.-backed Macapagal-Arroyo regime.

≤In 1975, socialist Cuba—where women’s rights are codified into law— instituted the Family Code, led by the Federation of Cuban Women (FMC), which was established in 1960 and which has helped women there make great strides.

≤Women everywhere in 2003 protested the U.S.-led war in Iraq and in solidarity with their Iraqi sisters. The next year, Palestinian women challenged Israel’s apartheid wall and continue to defy U.S.-backed Israeli aggression and occupation.

≤In 2006, the South African government launched a campaign to honor the 1956 women’s march in Pretoria against the repressive pass laws under the apartheid system. The ANC and COSATU have for years honored women participants in the liberation movement.

≤Women garment workers in Bangladesh marched for economic rights in 2006, as their sisters in Mumbai, India, supported Dalits, considered as social outcasts, and other oppressed women.

≤In 2007, women throughout Latin America, including Venezuela, protested U.S.-President Bush’s visit and demanded the U.S. end the Iraq war and military intervention and globalization in their countries.

This year, on the 100th anniversary of the historic march of women garment workers, it is very fitting that the New York demonstration begins in Union Square and ends at the Triangle Fire site. The socialist traditions of struggle and solidarity with working and oppressed women here and everywhere and special recognition of women immigrants’ role, are vital today.

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(*) The writer’s grandmother, Sophie Stoller, an immigrant garment worker, marched in 1908, joined the “Uprising of the 20,000,” and worked for the Triangle Shirtwaist Factory, but was ill and didn’t work on the day of the fire.

--> This opinion appeared on Workers.org

--> Also See the cartoon I made in 2007 for the International Women's Day
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Creative Commons License




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The House of my Mother and Father
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Syria : Modernity and History
(Ben Heine © Cartoons)

Damascus, What Are You Doing
to Me?

By Nizar Qabbani (*)


My voice rings out, this time, from Damascus
It rings out from the house of my mother and father
In Sham. The geography of my body changes.
The cells of my blood become green.
My alphabet is green.
In Sham. A new mouth emerges for my mouth
A new voice emerges for my voice
And my fingers
Become a tribe


I return to Damascus
Riding on the backs of clouds
Riding the two most beautiful horses in the world
The horse of passion.
The horse of poetry.
I return after sixty years
To search for my umbilical cord,
For the Damascene barber who circumcised me,
For the midwife who tossed me in the basin under the bed
And received a gold lira from my father,
She left our house
On that day in March of 1923
Her hands stained with the blood of the poem…


I return to the womb in which I was formed . . .
To the first book I read in it . . .
To the first woman who taught me
The geography of love . . .
And the geography of women . . .


I return
After my limbs have been strewn across all the continents
And my cough has been scattered in all the hotels
After my mother’s sheets scented with laurel soap
I have found no other bed to sleep on . . .
And after the “bride” of oil and thyme
That she would roll up for me
No longer does any other "bride" in the world please me
And after the quince jam she would make with her own hands
I am no longer enthusiastic about breakfast in the morning
And after the blackberry drink that she would make
No other wine intoxicates me . . .


I enter the courtyard of the Umayyad Mosque
And greet everyone in it
Corner to . . . corner
Tile to . . . tile
Dove to . . . dove
I wander in the gardens of Kufi script
And pluck beautiful flowers of God’s words
And hear with my eye the voice of the mosaics
And the music of agate prayer beads
A state of revelation and rapture overtakes me,
So I climb the steps of the first minaret that encounters me
Calling:
“Come to the jasmine”
“Come to the jasmine”

--> Read the end of the poem
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(*)Qabbani was revered by generations of Arabs for his sensual and romantic verse. His work was featured not only in his two dozen volumes of poetry and in regular contributions to the Arabic-language newspaper Al Hayat, but in lyrics sung by Lebanese and Syrian vocalists who helped popularize his work.

--> Source : http://oldpoetry.com