Sarko-Ségo

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The article "Sarko et Ségo" (Nicolas Sarkozy, Ségolène Royal, candidates for the French presidential elections) by Claude Javeau , professor and columnist for La Libre Belgique, illustrated with my cartoon.
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--> See the coloured version of this cartoon
Interview with David Baldinger

Note: this interview was made by Ben Heine in the frame an assignment about the "limits of freedom of expression in political cartooning" that he made during his studies in Journalism at IHECS journalism school. His analysis was published in 2006 on this blog). Heine doesn't share the political opinions expressed by others.

David Baldinger is a North American cartoonist. He works for the newspaper People’s Weekly World. He lives in Greensburg, Pennsylvanie, US. He became controversial after participating to the Iranian Holocaust cartoon contest. He gives us his opinion about freedom of expression in the cartoons.

-B. Heine : How did you become a professional cartoonist?

D. Baldinger : I’ve always drawn cartoons but when I went to art school in Pittsburgh, Pennsylvania, the school discouraged it. We were all supposed to concentrate on drawing bread toasters and doing mechanical paste-ups for publication (this was a long time before computer graphics). The Art Institute was more a technical training school than a real art school. I regret not having gone to a fine arts college now. I came from a poor family so I didn’t know I had any options.

I became very bored sitting at the drawing boards and when we had a basic photography course, I discovered I liked roaming the streets with a camera much better. I haven’t been able to work as a photographer any longer because of a spinal disability so I started drawing again. Having access to the world through the Internet has made a huge difference.
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-Which papers, magazines or websites do you work for?

Apart from my personal cartoons that I send out to anyone who is interested, I do a weekly political cartoon for the People’s Weekly World newspaper. This is the official newspaper of the Communist Party USA. I also do little illustrations for various articles, as they need them. I don’t get paid much for this--just enough to maintain my computer on high speed Internet. I send my cartoons regularly to Don Quichotte, Yeni-Akrep, Syria Cartoon and Iran Cartoon. Last year, a cartoon of mine was included in a book called “America in the Twenty-First Century—Opposing Viewpoints.”

-What elements usually strike you and inspire you in the political news?

I usually look for whatever is sending me into sputtering fits of outrage. Of course, being a citizen of the evil empire, the USA, I have no shortage of outrage. It is a demented Disney World with no escape. I am amazed daily at the monumental ignorance my fellow citizens show towards other cultures and history. I really believe that they think that the USA is the greatest and most important place on the world. They are also completely ignorant of the US’s imperialist nature. This would include the historical events that have caused much of the world to despise it. These things aren’t taught in school, certainly, but there is nothing stopping self-education.

I am suffering what I call “Bush burnout.” I’m not sure how many more ways I can make the statement that GW Bush is a dangerous idiot. He is truly the most unintelligent President the USA ever had. He is an embarrassment to thinking people everywhere. What I find even worse are the millions of imbeciles who support him.

Other subjects that interest me are abuses by the Capitalist system, oppression of people by governments and social injustice.

-Do you think there should be limits to the cartoonist’s freedom of expression? If so, what are the « redlines » according to you?

I don’t believe in limits to a cartoonist’s freedom of expression any way. Political cartoons must, by their nature, provoke in some manner. A political cartoon that doesn’t offend someone is just page decoration in newspapers. Political cartoons in the USA, it seems, all must have a humorous intent. Newspaper editors are afraid to offend advertisers or readers. Before the 1970’s, cartoons were a bit more belligerent with their opinion. Now, it seems most are just gag cartoons. The drawing skills I see are fantastic but seldom do I see a cartoon that really provokes a real response. The only thing I wouldn’t do is purposely insult someone with a cartoon. Cartoons should convey ideas.

-Is there only one freedom of expression or are there several ones? (Regarding the cultural differences from one country to another)

I am sure there are differences. Some are brought on by fear of government persecution or social standards. In the USA, sex is a terrifying subject to most. Nudity can usually guarantee outrage. Criticism of the government might get you called a traitor or some other ridiculous label by readers but the government doesn’t really bother anyone unless there is a threat to someone—especially the President. Portraying sex or drawing genitalia will always be censored in the mainstream media. I’m not sure if the public really cares. It is more likely politicians are using religion and morality as a springboard and are exploiting the subject. If sex were so abhorrent to the public, pornography would not be such a huge business! Nor would prostitution. This is why I feel the USA is hypocritical. People all shout their disapproval and then sneak off into the night to abuse children, pick up prostitutes and sex magazines. By day, they are all self-righteous and full of finger pointing.

-What do you think about the Holocaust cartoon contest organized by the Iranian newspaper Hamshari, in response to the caricatures of Muhammad published in several Europeans papers?

I am of two opinions. First, I can understand the idea of responding to the West but on the other hand, picking the Holocaust as a subject was a bit tasteless, really. I was disappointed so many entries made use of racial stereotypes to portray Jews. It must always be pointed out that it is not the Jewish people who are pointed but Zionism. I think this defeated the purpose of testing the West’s freedom of expression limits.

The Iranians were correct to assume that even though the West defended the insulting Mohammad drawings as free speech, Israel and the NAZI Holocaust were not subjects for free speech. This I agree with. I also agree that the Holocaust was horrifying but does not give Israel the right to bulldoze opponents to its expansion policies. The Palestinians most definitely are paying for the Holocaust in many ways. I believe the solution is equal states with the contested cities like Jerusalem made “international “cities that can be shared by all parties. I am an agnostic but I am able to concede that many religions have sacred sites there. I believe everything should be based on equal fairness. Israel must return the occupied territories, abandon settlements and cease its border expansion by squatting!

I can’t even call the Mohammad drawings “cartoons.” I thought they were just pointless and bad. Really artless. I believe Muslims overreacted however. The riots and attacks did nothing to convince people in the West that Islam is peaceful. As far as I know, it hasn’t even been determined if portraying the Prophet violates any direction.

There seems to be a general opinion in the US that Muslims are violent and wish to see the destruction of the West. Of course people in the US aren’t capable of understanding cause and effect. They just can’t imagine why they would be hated. In their minds, the US has given everyone so much. They don’t see the exploitation and violence perpetrated in their name. The continued support of Israeli policies at the expense of Palestine is a case in point.

-Have some of your drawings been censored? In which circumstances?

Many times. My cartoons are usually censored or changes requested because of the fear that they “might offend” someone. I used to comply with making changes but have refused recent requests. The most current incident was over a cartoon I did about the Israeli assault on Lebanon. I depicted Israeli Air Force aircraft with the proper insignia—the Star of David. My editors were concerned about that. My argument that the insignia were correct fell on deaf ears. I was not worried that I might offend Jews with the truth. I refused to make the changes and an alternative cartoon by someone else was published that week. They usually publish some meaningless drivel when they do that to me.


-Do you have any self-censorship? What are the most difficult subjects to represent?

As I wrote earlier, I would not purposely draw a cartoon to insult someone. I don’t know of any subjects that I find difficult to represent. Someone’s death is difficult but I have no problems indicating my derision for a dead Pinochet. When former President Ronald Reagan finally dropped dead, I enjoyed drawing him in a derogatory fashion while the rest of the US press managed to forget what a real bastard he was. Suddenly, he was elevated to near sainthood. There was even a call to place his lumpy head on the US dime replacing Franklin Delano Roosevelt—a President of real stature. Luckily, that wasn’t taken very seriously. The Right Wing in the US is under the delusion it was old Ronnie Raygun who defeated the USSR. He beat the mean, old commies and capitalism reigns supreme proving it the best system! The beginnings of the destruction of the social services under Reagan are also remembered with much nostalgia by the neo-Fascists who believe in social Darwinism. I guess knowing that thousands in the former Soviet Union wish for the old Stalin days over the miracle of Capitalism eludes them.

-Do you think the cartoon is a political force that can make people change their behaviour?

That is a rather heavy burden to place on a cartoon, I think. I think it is just one of many tools to accomplish something of that nature. There was a time before the electronic media that a stirring image could provoke a response but I think that time has passed. I believe video and film are still the best methods of influencing the masses.

-Do you think that the cartoonist is an artist or rather a journalist, or may be both?

I think the political cartoonist is a little of both. To do a good cartoon, one must have a great knowledge of current events, history and other political forces. Take away the drawing materials and I’m sure most would be able to do reportage in the usual manner.

-According to you, does he have to make people laugh or to make them think?

I strive to make people think. I am forced by my limitations and requirements to try and be humorous but I detest this. The early political cartoonists that I admire did powerful drawings and didn’t rely on jokes.

-What is for you the most difficult situation or person to draw?

I can’t think of any situations that are difficult but I struggle to properly caricature real people. I am never satisfied with the results. My cartoon of Bush never seems the same. Drawing to me is never easy. It is a struggle to please myself and I can’t be pleased!

--> Interview by Benjamin Heine
--> See David Baldinger's Website : http://www.dbaldinger.com
Stoff Allirot
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Stoff is a talented French artist living in Great Britain
and a very good friend of mine.
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Blow, Blow, thou winter wind!
by William Shakespeare
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Blow, Blow, thou winter wind!
Thou art not so unkind
As man's ingratitude
Thy tooth is not so keen
Because thou art not seen.
Although thy breath be rude.
Heigh ho! sing, heigh ho! unto the green holly;
Most friendship is feigning most loving mere folly.
Then, heigh ho, the holly!
This life is most jolly.
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Freeze, freeze, thou bitter sky,
That dost not bite so nigh
As benefits forgot:
Though thou the watters warp,
Thy sting is not so sharp
As friend remembered not.
Heigh-ho! sing heigh-ho! unto the green holly:
Most friendship is feigning, most love mere folly:
Then heigh-ho, the holly!
This life is most Jolly.
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Stoff is a graphic and Web designer.
See Stoff's Website : http://www.stoff74.com.
He currently works in association with Digilicious media.
Watch him having fun with his guitar :-) :
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Photo by Stoff

(Ben Heine © Cartoons)
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Thank you, Stoff, my dear friend,
for everything.
Far from one another
but still so close.

I Have a Dream

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Marcin Bondarowicz (*) sent me this portrait yesterday. In this image, there is me, him...and this enigmatic hat surrounded by symbolic floor and pebble. This is so powerful! He called the piece : "I Have a Dream". Adding : "When you sleep, your mind is still working..." Marcin, my Brother, thank you so much for this.
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Below follow a surrealistic poem about Discovery and Dream and a previous portrait of my Polish friend :
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No Silent Dreams
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An so he did leave them
lonely, like a cloud in the wintery sky
lovely, he thought, is the mind of God
ironically though, God shall forever be despised
hated like the killer of sheep.
Laughing does the devil behold
gore-tex-clad fetuses,
swimming in a vast ocean of formaldehyde.
Sudden shall forever realisation be
like the emerging waters of cthonic wastes
and he saw it all and he smiled, dreadfully silent
not without mindfull discussions,
overwhelming was the concept of true belief
to a man of no silent dreams.
No further shall he walk in silence and peace,
with scintillating laughter shall he consume the blood,
of ancient gods, ancient men and women.
And this he saw, the omnipotent vampire
and knew his fate and that of mankind.
Drowned in latex screaming, for the mother of all,
but he is alone, weeping like Isis over death.
And the gods are smiling as he turns away in despair.
And he is sleeping like undreaming fathers,
cold and forgotten in a nameless grave.
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Source : Adragoor
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Marcin Bondarowicz
(*) Marcin Bondarowicz is a skilful Polish cartoonist and a dear friend of mine. He is also a painter, a photograph and a poet. He was born in 1976 in Starachowice, Poland. He lives now in Poland as a freelance artist.
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Marcin works in traditional and digital graphic. He is doing all sort of illustrations in various techniques such as : oil painting, acrylic, computer illustration. Marcin has recently been working as a journalist specialized into press illustration. He worked for magazines such as BusinessWeek/Poland, Bonnier Business Polska, Integracja Europejska, Gazeta Bankowa.
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Marcin Bondarowicz is an important voice and icon in the world of cartoons. Actually, the images he creates are much deeper and more universal than "simple" cartoons : They are full of Life and can be read like timeless poems.
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Here are some beautiful thoughts he wrote me once :
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-"In my art, I am talking about discord, human behaviour, like hatred, conflicts, treason and about other things, such as confidence and stream of love. To the people looking at my pictures, I give pieces of one’s mind."
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-"Cartoon Art is a worldwide phenomenon, bringing cultures together with a universal appeal. Cartoon Art has the special quality of immediacy that is apparent in both the medium and the message. I clamour for this kind of art. I talk through my works."
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For the fans, more works by Marcin Bondarowicz can be viewed on :
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-GALERIA (Painting)
-GALERIA (Illustration)
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VARIART
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Contact :
Adress: Żeromskiego 8 / 8 27-200 Starachowice
Phone : +48 041 274 20 03
mobile: +48 692 431 219 or +48 502 215 953
Malcom X

Dark Hands
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I believe in the truth
I believe in goodness
I believe in beauty
I believe in happiness
I believe it to be
In all people
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Dark hands
Seek the pasty white face of our hope
Cultivating fear and loss and greed
These hands are impudent, coarse
Having in them death’s venom
They wait for nothing
A garrote upon day’s shadowy war
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I am tired of the child’s howl
I am tired of the mother’s tear
Tired of the father’s motionless yowl
I’m sickened by these horrid truths
Tired of the mistreated seas
Tired of the seething wave
Of trembling earth and air
I’m tired of our white treachery
.
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-->This cartoon is the last of a set of four images,
which theme is : "Make Peace, not War!"
-->Thank you thepoetryman for your stunning verses.
2006: Ben’s Year In Review

by Ann E.K.

As 2006 ebbs away and the second week of the New Year is in full swing, on behalf of Ben’s many friends, fellow artists and admirers around the world, I’d like to extend a warm congratulations to Ben on this momentous year just passed.

Having been delighted to be the Christmas Guest of the Week among such illustrious company, it gave me an idea to offer some reflections on an extraordinary year, both personally and politically.

2006 has been momentous for Ben in many ways. A number of exciting new collaborations, the launch of two blogs in addition to an excellent website professionally designed by Stoff Designs, an online exhibition, participation in the prestigious Sebastian Kruger workshop, a safari trip to Kenya, and a presence on the global web radar all constituted the flurry of activity in 2006.

With our friend flying high in the blog firmament, it is remarkable to remind ourselves that Ben only launched this blog in March -- less than a year ago!

Initially writing in French throughout April, Ben posted his sublime artwork and articles of interest, featuring artist profiles, cartoon events and political coverage, all accompanied by stunning images. Having gone through the site month-by-month to write this short article, I am truly astounded at the quality and quantity of Ben’s prolific creative production and the topical range of articles, as I am sure others have been similarly struck. It is truly a tour de force!

In May, Ben switched most of his posts to English, using his second language (of a handful he is impressively conversant in to varying degrees), thus making his blog accessible to those of us fluent in the major lingua franca of the web.

In June his second blog was launched, the wildly lavish yet soulful Erotico Fantastico Burlesque, featuring poetry, prose, photography and Ben’s erotico art. Twin blogs for a young man born under the sign of the twins, further displaying Ben’s versatility and range.

Ben then became one of only 18 participants at the prestigious Second International Kruger Workshop the following month in October, which by all photographic and written accounts was a most worthwhile and enjoyable experience, as shared with readers.

At this time too, the blog saw an aesthetic change with Ben’s now instantly recognisable Searching Plantman being adopted as the blog banner.

The busy month of November saw a trip to east Africa to be treated to a week’s safari in Kenya. The visual experience was recorded with memorable drawings of wildlife posted on the blog: lions, elephants, monkeys and hippos.

At month’s end, Ben instituted his Guest of the Week feature, which was a novel way to expand upon the innovative Links of the Week. Starting with Don Quichotte founder Erdogan Karayel, Ben’s caricature featured at the top of the sidebar linking to the site of the guest.

A major event in mid December was Ben’s online exhibition at Ishtvan Pippen’s Art Loft in Second Life. A great success and an innovative platform, it offered global guests the opportunity to meet Ben, visit a virtual gallery and view his and other great artists’ paintings. In effect, it was, quite aptly, an invitation to participate in a futuristic adventure in which one becomes a virtual cartoon.

It was great to see Ben’s inventive provocations with his superbly paradoxical expressions of stylised imperfection and disfigured harmony with their luminous colours on the Art Loft’s virtual walls. Ben subsequently scored the sale of his vivid "Mante Religieuse" by a Belgian programmer. Lucky man.

Thank you Ben for creating art that resonates with us all on so many levels, aesthetically as well as politically, and for the art in solidarity. Your autodidactic artistic skills truly are impressive, coupled with your mental agility and ability to create a wonderful imaginal space in which a global community of readers have the opportunity to interact.

Here’s to a more progressive 2007 on the world political stage, and a year that brings continued great success and joy to Ben and his esteemed friends and family of readers.

Happy New Year!

Set Upon the Road


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We are set upon a road
And that road is mankind
It is dangerous
It is loathsome
It is beautiful
Perhaps you have seen its path
In paintings most stunning
In the pirouette of night
In the openhanded gesture
Or glanced in the sleeping child
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We are set upon this road
And that road is mankind
Try as we might
We cannot take another
It is this one we’ve been granted
This one we’ve oft smiled upon
This is the path of our founding
We may decorate it with laughter
And desecrate it, sully it, with dread
But we may not absolve its occasion
When wars conjure the spirit’s bed
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We are set upon this road
And that road is mankind
A shower of stars cannot tap it
The impoverishment of man's good
May slim chance alter living’s course
It is this chance, this aperture
Of which we must seize, grasp of
Shilly-shallying of this anointed gift
Would be man’s greatest sin
Grasp and hold dear friends
Take hold of this and begin again
.
Copyright © 2006 mrp / thepoetryman
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-->This cartoon is the third of a set of four images,
which theme is : "Make Peace, not War!"

-->
See first cartoon and poem
-->
See Second cartoon and poem
-->Thank you
thepoetryman for your stunning verses.

Warble
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Sing it! Sing it! Sing it!
Sing it, baby! Sing it!
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Carry your message to the world
Warble from shore to shore
Harmonize into Baghdad
Sing your truths to the dead
Sing in the darkened streets
Sing it under watery New Orleans
Sing it loud! Sing it fiercely!
Lie! Lie! Lie! Lie!
Sing your lies to the masses
Watch now as they burn
The glow reflected in your eyes
And through your dark soul
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Sing it, baby! Sing it!
Sing it! Sing it!
.
Empire awaits!
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-->This cartoon is the second of a set of four cartoons,
which theme is : "Make Peace, not War!"
-->Click here to see the first cartoon and poem
Fidel Castro

Peacemaker or Ravenous Warrior

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When the homes rupture into flame
And the warrior meets the peacemaker
Will it not be a humble reckoning?
Will not the nobility of man shine down upon them?
Will this light not rumble at the door of freedom,
The will for excellence and splendor come forth,
Be a splendid ballet upon the stage of governance
Pirouetting over all the ornately cold and corrupt?
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Be gentle that our swollen eyes might shut
Or be done with it!
Bring our souls round to enchanting music
Or be done with it!
Spring a fountain of hope and a child’s joy
Or be done with it!
Offer wine instead of overflowing blood
Or be done with it!
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Be a voice to the sky hovering in the heavens
Or be done with it!
Be a builder, a carpenter of love and elation
Or be done with it!
Be a consoling hand and offer it willingly
Or be done with it!
Be a martyr of peace with strength and will
Or be done with it!
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Emerge as peacemakers, not ravenous warriors...
Exploding not in shrapnel, creating shards of gloom,
But bringing with you a hope unwrapped and bursting,
A magnificent gift teeming in truth and radiance
With stars bowing their silent expressions upon all
Lighting the paths that lead back to human charity
Where the cities of paradise lift their breathing souls...
Or be done with it…
.
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-->This cartoon is the first of a set of four cartoons,
which theme is : "Make Peace, not War!"
Bulgaria’s and Romania’s accession to the EU :
"An important day in European history"
says José Manuel Barroso.
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(Ben Heine © Cartoons)

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On 1 January 2007 the EU welcomes two new Member States and 30 million people, when Bulgaria and Romania join the European Union. This completes the EU's historic fifth round of enlargement peacefully reuniting Western and Eastern Europe after decades of division. To mark this important day in European history President of the Commission, José Manuel Barroso said: "The 1 January 2007 is a historic day to celebrate. I congratulate the people and leaders of Bulgaria and Romania ...
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Welcoming Bulgaria and Romania to the EU, President Barroso said: “Finally the moment of celebration has arrived. 1 January 2007 will be an important day in European history. Bulgaria’s and Romania’s accession to the EU completes our historic fifth round of enlargement, which peacefully reunified Western and Eastern Europe.”
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Enlargement Commissioner Olli Rehn added: “When welcoming two new Member States and 30 million people into the family, we know our debates, culture and heritage will be richer, and our mutual ties and economies will be boosted. Enlargement is not a project for the elite, but it is very much about enhancing everyday life of ordinary citizens. Let’s celebrate this moment with as many people as possible.”
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Romania and Bulgaria join the EU

Sofia -- Bulgarians and Romanians awoke as European Union citizens Monday as the bloc expanded to 27 nations and almost half a billion people.

Membership fulfilled "a generation's dream," Bulgarian Prime Minister Sergei Stanishev said. The two Balkan neighbors officially joined at midnight, to the thunder of New Year fireworks. "A dream came true today, a dream for generations of Bulgarians who wished to live together with the free and democratic peoples of Europe in peace and prosperity," Stanishev said Monday. Thousands of revelers across Bulgaria and Romania greeted the New Year and celebrated their countries' EU entry with concerts, street parties and fireworks shows.

In Bulgaria, people also wore ribbons of solidarity with five Bulgarian nurses sentenced to death in Libya after almost eight years in jail. The nurses, and a Palestinian doctor, were convicted December 19 on charged of intentionally infecting more than 400 Libyan children with HIV, despite scientific evidence that the children were infected before the medical workers began their contracts in Libya.

"We will go on fighting for the release of the nurses and we will then celebrate together with them," Stanishev told the crowd celebrating New Year's Day and the EU entry at Sofia's Battenberg Square. In the night, Bulgaria took down the customs barriers at 15 border crossings with Greece and Romania as they all became part of the European Union's single market.

However, controls at Bulgaria's borders with Turkey, Serbia and Macedonia were strengthened to comply with EU standards, said Asen Asenov, the head of the customs agency.

In Bucharest, Romanian President Traian Basescu hailed the end of a painful, 17-year reform process that finally brought the two states to European Union entry. "It was hard, but we arrived at the end of the road. It is the road of our future. It is the road of our joy," Basescu said, prompting cheers from a crowd of tens of thousands of revelers packed into University Square.

Later Monday, EU Enlargement Commissioner Olli Rehn and Germany's Foreign Minister were to fly to Bulgaria from Romania to join Bulgarian officials at a ceremony to hoist the European flags at Sofia's Alexander Nevski Square.

In the evening, festivities in Sofia were to continue with a gala at the National Palace of Culture, to be attended by President Georgi Parvanov and EU Parliament President Josep Borrell. Many Bulgarians and Romanians met their countries' EU entry with enthusiasm, saying they pinned their hopes for a better future on EU standards and funds.

"We greet the New Year and the EU entry with optimism and hopes for better living standards," said Ognyan Dilov, one of the revelers in Sofia. But some were cautious about what EU membership would mean for them.

Ionut Budi, 38, a club owner in the Romanian Black Sea port of Constanta, said the EU would bring Romania much-needed discipline but he was concerned there would be too much uniformity. The two nations, from one of the poorest corners of Europe, are joining under strict conditions and at a time when EU leaders are putting the brakes on further enlargement.

"Europe is adopting us like poor relatives or orphans, but I hope they will become fond of us because we are hardworking and inventive," said Ana Maria Zarnescu, 64, a retiree from the Romanian city of Cluj. Both countries must report to the EU every six months to show progress in reforms, or risk losing a chunk of economic aid.

Rehn, the EU Enlargement Commissioner, praised Romania and Bulgaria for "impressive reforms in strengthening democracy, modernizing their countries, making their justice systems more efficient and independent." He said EU membership would "bring concrete improvements to the everyday life of citizens" by increasing food safety, cleaning up the environment and repairing roads.

Bulgaria and Romania applied for EU membership in 1995 and began accession talks in 2000. The negotiations ended two years ago, and the European Commission declared in September that both were ready to join the bloc.

Despite lingering problems with corruption and judicial reforms, both countries have had strong economic growth following years of deep recession. Growth in 2006 is estimated at 5.5 percent in Bulgaria and 7 percent in Romania. Still, salaries remain low by western European standards. In Bulgaria, the average monthly wage is euro180 (US$235); in Romania, about euro305 (US$400).
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