Showing posts with label Press. Show all posts
Showing posts with label Press. Show all posts

Interview de Ben Heine pour le magazine Digital Photo (France)

 Interview de Ben Heine pour le magazine Digital Photo (France)

Digital Photo Magazine: Dessinateur depuis l’enfance et peintre depuis l’adolescence, le photographe et illustrateur Ben Heine est aussi musicien. Découvrez l’univers riche en couleurs de cet artiste de 35 ans aux multiples talents…

C’EST pendant ses études universitaires en journalisme que Ben a commencé à étudier et à pratiquer la photographie en autodidacte. Depuis, il s’est forgé une carrière d’une polyvalence rare tout en restant fidèle à son style et ses oeuvres sont exposées régulièrement partout dans le monde. Il est devenu célèbre en 2010 en inventant une nouvelle forme artistique appelée « Pencil Vs Camera », il en a d’ailleurs réalisé un ouvrage paru en 2017 et regroupant plus d’une centaine de ses oeuvres.

Son envie de devenir photographe a été motivée par le fait qu’il « trouvait génial de capturer des petits instants de vie presque anecdotiques et leur donner un “moment de gloire” en les présentant sous leur meilleur angle ». Ben explique aussi qu’en tant que dessinateur et peintre, il était fasciné qu’un simple appareil photo capture autant de détails et d’informations visuelles : « Il ne reste à l’artiste plus qu’à donner un sens aux pixels, à retoucher, remodeler, recadrer et sublimer ces informations. »

Il aime les images épurées et parfois minimalistes, la transmission d’un message simple mais universel : « Le noir et blanc photographique me fascine aussi, je le considère comme un dessin ultra-réaliste. »
Il puise son inspiration première majoritairement du photographe israélien Gilad Benari. Les photos de Robert Doisneau, Henri Cartier-Bresson et Steve McCurry le fascinent également.

En plus de la photo, le dessin et la peinture, Ben s’est lancé dans la musique en 2012. « Je joue du piano et des percussions et je me suis spécialisé dans les programmes de création et de production musicale (notamment Ableton, qui est un peu le Photoshop de la musique…). J’écris et compose des chansons.

Je réalise tout de A à Z et mon style musical est dans la tendance Electro Pop. Et en effet, je réalise des clips pour ces musiques où il m’arrive de monter mais je délègue de plus en plus cette activité. Lorsque j’ai commencé j’ai trouvé qu’il y avait beaucoup de similitudes dans les processus des effets graphiques et musicaux, par exemple la netteté d’une image correspond pour moi au son aigu d’une note et le flou graphique correspond à la réverbération sonore, il y a tant d’autres exemples… »

Ben aime s’amuser en postproduction comme le montrent nombre de ses photos. C’est le cas par exemple de la photo de l’énorme figuier de la baie de Moreton qui a été prise à Séville en Espagne : « J’ai bien sûr réalisé un travail de postproduction et de retouche en repeignant le tronc, les racines et les branches avec des couleurs qui me parlent. J’ai pour cela utilisé l’outil Color dans Photoshop. Comme très souvent, il me faut plusieurs jours pour retoucher une seule photo. »

Cette année, il a des expositions prévues à Bruxelles et à Namur en Belgique. Il nous parle de ses projets en cours : « J’ai beaucoup d’ateliers et de projets en préparation dans les écoles en Belgique et à l’étranger car mon concept Pencil Vs Camera est devenu populaire dans les milieux scolaires. Il est enseigné par les professeurs pour stimuler l’imagination des enfants et ados, ainsi que l’utilisation des nouvelles technologies, pour susciter le débat, apprendre la photo, le dessin, etc. Je travaille aussi sur plusieurs nouvelles photos, une version améliorée du concept Pencil Vs Camera et des chansons. »

Ben Heine Art in Digital Photo Magazine

Artist Ben Heine Interview - Digital Photo Magazine - United Kingdom - 2016

A long article about Ben Heine's graphic work is just published in the renowned British magazine "Digital Photo Magazine" (February 2017, issue 216). Un long article sur le travail graphique de Ben Heine vient d'être publié dans le prestigieux magazine britannique "Digital Photo" (février 2017, numéro 216).

Digital Photo Magazine - Artist Ben Heine Interview - United Kingdom - 2016Artist Ben Heine Interview in Digital Photo Magazine - United Kingdom

Digital Photo Magazine - Artist Ben Heine Interview - United Kingdom - 2016

Recent Online and Printed Publications and News Articles

Cultural Voice - Jamaica (2014)

Yorokobu - Spain (2014)

Cult of Mac - USA (2014)

The Art of Deception (Book) - USA (2014)

GMA News - The Philippines (2014)

La Nouvelle République - France (2014)

Wan Bao - Singapore (2014)

La Provincia - Spain (2014)

Recent Worldwide Publications

 Recent Printed Publications:

Sieci - Poland (2013)

Der Bildbearbeiter - Germany (2013)

Braives Bulletin No34 - Belgium (2013)


 Revue 3e Millénaire - France (2013)

Ademhalen Onder de Maan (book cover)
- The Netherlands (2013)

EU, Tu e três pontos (book cover)
- Portugal (2013)

Braives Bulletin No33 - Belgium (2013)

- France (2013)

 Recent Major Online Publications:

Culinaria Yves Mattagne and Ben Heine (2013)

Interview For Der Bildbearbeiter

Working on "Walking Lion" animation

What education do you have? Did you study?

I have a degree in Communication/Information. I also briefly studied Painting and Sculpture in an Art School in UK. You can view a short version of my CV on LinkedIn.
 
Did you learn your illustrating techniques by yourself?

Yes indeed, I learned most of the techniques I’m using on my own. I’m a self taught person in drawing and in Digital Photography (although I learned the basics of analog photography in my Journalism studies). 


Working on "Walking Lion"
What Software do you use? Do you use Photoshop or a 3D Software?

I use Adobe Photoshop mainly in my digital photography work and for some graphic projects. For my music projects, I use Ableton Live.

Do you still remember your very first commissioned artwork? If you do, what was it?

It was a large traditional acrylic painting featuring Buddha for an Asian restaurant in Hastings, UK. I was 18 y/o.

How would you describe your style? How did it develop through the years?

Many people tell me that my photos look like paintings. It’s because I paint and draw on them. Also, I’m mainly known for “Pencil Vs Camera”, a series mixing drawing and photography. So "mixed media" is what I'm the best at. This could be my style.
Working on "Walking Lion"

Where do you find your themes and subjects? Where does your inspiration come from?

I find inspiration mainly by observing people around me and by living intense experiences and emotions but strangely, inspiration comes from small and insignificant events most of the time.

What would you advise our readers to do to become an illustrator like you?

I would tell them to keep working hard and try developing a concept that has never been done before. Also, I'd suggest them to think about other jobs too, haha.

When you get a request for a new illustration, how do you start? (Do you make a lot of research? Do you travel to a particular place?)

I usually receive requests by email and then I choose the collaborations I find the most interesting. In some cases, I travel to meet the clients. It helps getting better results sometimes.
 
At Culinaria festival
Working with clients can be difficult, as they have their idea in mind that may not correspond with yours. How do you cope with such situations?

Exactly, it’s often difficult for both parties to be totally happy with the final work, so it’s important to establish the terms of collaboration from the beginning and to anticipate such conflicts.

Do you have a favorite image, which you have made yourself?

I would say this image is currently one of my favorite ones.

Who are your role models?

I admire people who managed to change the world in a positive way and who succeeded in bringing a bit of happiness and enjoyment in people’s life.
 
What do you do to relax?

I spend time with my family and I also like playing video games just to relax my brain between the projects I’m involved in.



Printed publication and interview in Der Bildbearbeiter, 2013

(*) Der Bildbearbeiter is a magazine about art and design for professionals. It's based in Germany.




Creative Pro Show, Rome, Italy, November 2012

How are you using video with your art?  Do you see it as an artistic tool on its own or more of a means for promoting art to larger audience?

I see it more as a communication tool and this is how I use it. It is definitely a creative medium that can be used for artistic purporses as well, but it's not my main goal right now.

You have been copyrighting your work and even trademarking some pieces for a while now.  Can  you speak a bit to why that is important and how you see your work being distributed and protected?

Any kind of intellectual or creative material produced by a human being and shared publicly is by definition copyrighted. It's important for artists to protect their artworks because once it's shared publicly, it's impossible to control what's happening. Some people steal other person's work and use them commercially for their own benefits. This is what I try to avoid. I usually don't mind when bloggers or news websites feature my images as long as they mention a credit line.

There have been some distinct periods in your art career: your poetry, your political art, and now your current work.  Do you feel that shifting focus is important and how do you know when you’re ready to transition to your next phase?

It's the first time I get this question, and I think it's an important topic. I know a bit in advance when a big shift is coming. I’m living such a transition right now. It's really my personal sources of inspiration that are evolving. I'm changing and my production is changing too simply because what I do is a complete reflection of how I'm thinking and what I'm living. I'm just listening to the little voice inside me telling me to do something different. The transitions are not easy moments, because they require a new organization, a different approach to work flow, new tools to learn, finding a new audience, etc.

What concepts do you find recurring mostly in your art?  Do you find that certain ones resonate more with you?

Nature and people are my main sources of inspiration. I often talk about love, friendship and I often make animals portraits. These are the things I like to evoke in my graphic work.

We are seeing more and more photographers who have day jobs as the industry changes but you’ve gone the other way from many different jobs to fulltime artist.  Can you give us a brief rundown of those jobs and how they’ve helped shaped your perspective over the years?

I've been developing creative projects all the time since a young age, but I also had a normal life before my full time commitment to art. For instance, as soon as I finished my studies of Journalism, I worked in a communication agency for a few months, then I worked as a teacher and then I worked in a supermarket. I was an employee in all these early jobs. Then I decided to give up everything and focus exclusively on my projects as a freelance person. It was a bit difficult at the beginning and now it's fine.

How do you feel about starting a new movement?

I don't think I'm starting a new movement, we're a big community of creative people influencing each others. I know Pencil Vs Camera introduced something new in the current art and design industry. I just brought my small contribution. History of Art will only remember a few names. It has always been like this.

As a very successful artist, you must see people trying to emulate your work.  How do you feel about that?  What do you believe is the difference between copying, evoking, and being inspired by?

It's always gratifying to be an inspiration for other people. What else can I say? If some people use my Pencil Vs Camera concept and bring a new dimension to it and manage to do something even better, it's their right. Copying is different. Copying is almost stealing.

What personal techniques, that you might be able share with our audience, do you have for staying at your most creative and what's next for you?

Living new experiences is the best way to fight against lack of inspiration because life is always full of surprises and stimulations. I'll have some new exhibitions soon, I'll do some new Pencil Vs Camera works and I'm also working on some music projects.

(*) PocketStock is a royalty free stock content agency set up and owned by industry expert Russell Glenister. See the above interview on PocketStock.


Soura Magazine - United Arab Emirates (2012)



Adobe Photoshop FB page - USA  (2012)

 Strongbox Magazine - USA (2012)
 

 Gee Magazine - Germany (2012)
 

 Happy Together Mag - South Korea (2012)
 

 Bit News - Portugal (2012)