Pencil Vs Camera - McCann Erickson - Bite Lithuania
Souvenir from a party a few months ago at "Poze Player"

The language of photography. A picture I took a few days ago in a park in Bucharest, Romania. Model: Madalina. If you wish, you can see the original pic here. I think Madalina has hypnotic eyes...



Canvas printing of one of my landscape photos at the cosy printing laboratory "Atelierul de Print" in Bucharest, Romania. I was really impressed by the results, may be it's an interesting alternative to my Diasec finishing?
I traveled to Bucharest a few days ago to prepare some new creative projects. Here I am with Alex from McCann advertising agency, in front of the "Palace of the Parliament", one of the biggest buildings in the world. It was minus 25 degrees celsius that day! I'll share soon the projects I've worked on when I was there..
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Photo of Nicoleta Ionescu by Dragos Jianu.
Portrait by Nicoleta Ionescu.
Photo by Dragos Jianu.
The participants were:
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Fabio Shin (Brazil) ; Klaas Op De Beéck (Belgium),
Gheorhe Matei (Romania) ; Bill Plympton (USA)
Oronde Kairi (USA) ; Ben Towle (USA)
Mike Greaney (USA) ; Joseba Morales (Spain)
Yamen Elgamal (Egypt) ; Kagan McLeod (Canada)
Scott Jones-McMahon (UK) ; Luis Eduardo Leon (Colombia)
Miroslav Gerencer (Croatia) ; Sal Navarro (USA)
Chris Wahl (Australia) ; Michaël Olivier (France)
Aswini&Abani (India) ; Jourdenais Jonathan (Canada)
Tónió (Hungary) ; Bogar Chancay (Ecuador)
Jaime Ramirez (UsA) ; George Williams (UK)
Mark van Olmen (The Netherlands) Francisco Medina (Venezuela)
Ben Heine (Belgium) Alessandro Grandinetti (Italy)
Guaico (Colombia) ; Turcios (Spain)
Gergely Bacsa (Hungary) ; Daihaa Wyrd (Belgium)
Kris Barz (Brazil) ; Radu Raileanu (Romania)
Abdul Salim (India) ; Craig Rogalski (UK)
Fabricio Pontes (Brazil) ; Vincent Altamore (USA)
Nicoleta Ionescu (Romania) Alexandru Ifrim (Romania)
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© 2009 - Ben Heine
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© 2009 - Ben Heine
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© 2009 - Ben Heine
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© 2009 - Ben Heine
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Do I have a specific style? Thank you! Let’s say so. I think that “getting a style” shouldn’t be a purpose in itself. A good piece of art will be good even if it’s not officially “stylized”. Strong and recognizable styles are always useful for artists who do not sign their creations due to lack of time. People will always be sure it’s theirs! Ha ha.
Anyway, finding my own way in art was not an easy task at all, I remember my beginnings in painting, some 8 years ago, when I was about 17, many people actually disliked what I was doing. I think it had too many personal connotations and it was barely understandable for any other viewer. I’ve continued to paint, not worrying about people’s opinions.
One day, I suddenly realized it was completely useless to create art that was meaningless and that didn’t bring something to people. I tried to create images that are already somewhere in people’s minds, but that they never ever saw before. I worked on this very hard, and I came back to drawing. I really wanted my creations to have an impact on people. I tried new techniques, new materials, new tools, new textures, and new sources of inspiration.
When I was younger, I used to practice different artistic disciplines. Among other activities, I used to write poetry (in French), play guitar, drums and piano and I even used to dance. When I was about 18, a devoted teacher in art history transmitted her passion to me. Although I had been creating and drawing intensively since the age of 11, this was the moment I really knew graphic arts would be in the centre of my adult life. I could have attended her class hours and hours every day. The same person was also teacher of psychology, and I also loved attending this course. This is when I began to read in people’s minds. I got more interested in Jung’s theory on the collective subconscious and tried to search within myself for universal images and symbols.
Then I started painting. I produced about two hundred large paintings in a few months, just after my 1 year trip in Hastings, in England.
When I started my studies in Journalism at 19, I made much more realistic illustrations with political and social meanings. Illustration allows artists to use different materials and methods while creating infinite kinds of content, may they be abstract, surrealistic, political…
Political illustration was also perfectly fitting my new identity as a young journalist. Although I was prepared to write news articles, I never really considered myself as a real journalist… I find this function very important but boring somehow. I chose graphic art, because it’s what I’m the best at. I intend now to make political creations that have a universal meaning, that concern us all, as human beings (Issues like global warming...).
One of my dreams is to see the establishment of a “cartoon department” in all the faculties of journalism in Belgium, in Europe, in the World. We all should learn to express ourselves more with icons and images… It could even engender a new dimension to inter-human communication.
I’m now 25, I work in a creative Communication Agency in Belgium. I’m still sincerely willing to make political art for the weak and oppressed ones, to do my best to bring some hope and courage for those who need it the most and to make art that promotes authentic peace and democracy in a mad world.
What are the elements that make your drawings different from others?
Regarding form, I made most of my drawings (portraits and cartoons) with a black ballpoint pen on paper (with digital colours and enhancements added afterwards). This is a very easy and rewarding technique. I know it may sound paradoxical, but you can get some extraordinary textures and high contrasts with such a simple instrument. At the beginning, I always put too much ink. Now, I rather try to be more “minimalist”, with just enough information to be understandable. My lines and shapes are rather sharp and I search the highest contrast most of the time. I often mix cold and warm colours.
But as I said, I don’t try to have a specific style. I guess this is my technique and the way I express messages that make me recognizable among other artists’ work. Now, I think that my “ballpoint pen period” is over, ha ha. I’m gonna make more fully traditional illustrations and come back to painting (watercolour and acrylic).
As far as content, in my non-political creations, I often use personal metaphors with soft, sweet and tender meaning. My political production is more explosive.
You're very interested and "concerned" when coming to politics. What's the main theme and messages for people reading this to understand better what it's involving?
First of all, I’d like to say that I have no political sponsors; I don’t create for anybody’s sake. I make political illustrations for those who suffer and against the corrupted and the warmongers.
I have always been deeply shocked by any kind of injustice. In my political work, my aim is to denounce imperialism, racism, oppression, discrimination, violence, Human Rights infringements, crimes against humanity… and my final goal and ideal is to promote peace and mutual respect between people of different cultures and backgrounds. This is how I was brought to draw about the Israeli/Palestinian conflict.
I realize that I've made a few mistakes with some drawings on this particular issue, which is a terribly complex one. I sometimes find them "too offensive” or “too provocative”. I think my political creations shouldn’t hurt unnecessarily one community or another. They should make people think and act in a peaceful way.
I’m a huge partisan of wide freedom of expression, considering that responsibility must be taken for everything said, written, done or drawn.
When I publish stuff online, I often receive propositions and requests of publications from different organizations. The Internet is a fantastic tool for digital activists. Although it’s a huge machine totally out of control, it helps supporters of the oppressed people having a voice in the emptiness. Sometimes this has great effects and it always amazes me how well constructed actions from militants can generate real and positive social changes and concrete political improvements. This is what I hope will happen more and more.
I also noticed you have a big amount of Romanians in your drawings. I'm talking here about Caragiale, Eliade, Nichita Stanescu, Iorga, Titu Maiorescu and Tzara. Even Basescu twice! What got your attention on them? Because every image is completed by articles and research...
Yes, it’s true; I made several caricatures of famous Romanian people. It was for the Romanian Cartoon Association called “Caricatura”. Many international artists have participated to this permanent contest. I thought it was worth sending my portraits too.
As for the articles and research accompanying the caricatures, I did this to add useful information for the readers. I think any image is much richer and clearer when there is qualitative textual information next to it. I have read different things on these people and on the Romanian past and current political landscape. I found it very interesting!
Your work brought you prizes too. Can you tell me about them? And also about the publications?
Yes, I won a few awards, but this is not very important. I don’t make illustrations for that. Sometimes it happens, and it’s really a surprise! For examples, I recently received a Success Award for a cartoon I submitted to the "1st International Cartoon Contest - Naji Al Ali" organized by "Syriacartoon". I also received some weeks ago a Certificate of Appreciation from “BuzziNews”, an online journal reporting exclusively in cartoons…
As for the publications, my illustrations have appeared in several printed magazines and papers, such as ‘La Libre Belgique’ (Belgium), ‘European Voice’ (Belgium), ‘Rolling Stone’ (Germany), ‘Acque & Terre’ (Italia), ‘Le Monde Diplomatique’, Polish edition (Poland), ‘As-Safir’ (Lebanon), ‘Al Baath’ (Syria), ‘Europa In De Wereld’ (Holland), ‘Pulse’ (Great Britain)…
I created book covers and illustrations for renowned authors (such as James Petras, Mark Prime, Mike Palecek…). I also made CD covers, posters, and t-shirt designs.
I’m also member of numerous political associations and cartoon organizations, something I’m very proud of and which brings me a better exposure worldwide.
I’ve had the chance to exhibit my creations in Belgium, Great Britain, the United States, Canada and Palestine. I even had a virtual exhibition of my paintings in Second Life!

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>>> This interview will soon appear in English and Romanian on SensoTV
(*) Andrei Pavel is a 25 year old digital creator living in Bucharest, Romania. He makes fractal art. He recently interviewed several artists. All the interviews can be seen in English and Romanian on Sensotv.ro. More information on Pavel.
>>> See another interview I had with Claudio Parentela
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While the populist president is expected to win Saturday’s vote, few observers believe a victory for Mr Basescu will stem the growing sense in Brussels and other EU capitals that political turmoil and a failure to continue fighting corruption in Romania and neighbouring Bulgaria have exposed the EU’s enlargement process as badly flawed.
--> Read the full article
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Where to, Basescu?
By Mihai Colibaba
"The sailor keeps fighting! What shall WE do ?". This is one of the many messages I’ve received today, after Romanian president Traian Basescu was suspended by Parliament with 322 votes in favor and 108 votes against. The political crisis, determined by the internal friction between the president and prime minister Calin Popescu Tariceanu, has not come to an end. Basescu is still a president, at least until Monday, when the Constitutional Court gives its vote. First in Bucharest, then, all over the country, people have gathered to support Basescu and accuse the coalition between the Liberals (PNL), the Social-Democrats (PSD) and the Hungarian minority (UDMR). The Parliament accused Traian Basescu of violations to the country’s Constitution, whereas the Constitutional Court decided that the president perpetuated his constitutional rights and his allegations were nothing but political opinions to which, as any other citizen, Basescu is entitled to.
A different war
The Digital Guerilla, as we used to call Basescu’s people during the electoral campaign in 2004, has come to life again. They sent thousands of SMS, MMS and IM messages today. And they launched websites, such as www.pentrutine.net/traian-basescu.html, where visitors are encouraged to click the yellow link if they support Basescu, or the red one, if they don’t. I didn’t click any link. I voted for Basescu when he ran for president, in 2004, because I considered him the only alternative to the social democrates, then represented by former prime minister Adrian Nastase. I still do, and I’ll vote for him when he runs again. The Constitution entitles him to, and the Democrats and Liberal Democrats will choose him as a candidate.
He feels like a winner
Prime minister and Liberal leader Calin Popescu Tariceanu stated that he is fully assuming governance, all the more so as Romania need to be governed in the months ahead. Tariceanu also made an appeal that all the political disputes be solved within the democratic framework of the Romanian state and that the disputes should not be transferred in the streets.
Back to the people
When he joined the people gathered in the University Square in Bucharest, the president assured them he had understood the message of the people in the street and would do what is best for the country. " I have understood your message and I assure you that I am going to do what is right for the country. I will not desert Romanian people", said Basescu.
Simply quiet
Sibiu, European Capital of Culture in 2007, was quiet today. Just a dozen people, out of a population of 180,000 who heavily voted for him in 2004, gathered in the city’s public square. "They don’t have to protest in the public square. They’ll cast their votes, and that’s it. Basescu will be mantained in position, after the poll. If he doesn’t resign and if «they» don’t change the law while he’s suspended", says local Democrat leader, Nicolae Nan. Then he went home to watch the football game on TV.
-------------------------------->This article originally appeared on Analyzingeu.eu
--> Read more about Basescu
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"The only real things which we take with us in the end are our own feelings, our loves, our hates and adversities. I ask myself: at the end of life, what will we leave outside? I suppose we can leave some feelings, less of hate, some of passion, but... especially of love." (Nichita Stanescu)
and eats a boulder.
Then a barking dog comes,
which eats a rock.
Then a sort of nothing comes,
which eats sand.
Then I come and I eat this echo.
Echo of what?
Echo of “don't know what”
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(Nichita Stanescu)
Nichita Stanescu was a Romanian poet and essayist. He is one of the most acclaimed contemporary Romanian poets, beloved by the public and generally held in esteem by literary critics.
Nichita Stanescu finished high school in Ploiesti, then went on to study Romanian language and literature in Bucharest, graduating in 1957. He made his literary debut in the Tribuna literary magazine.
Stanescu married Magdalena Petrescu in 1952, but the couple separated a year later. In 1962 he married Doina Ciurea. In 1982 he married Todoriţa "Dora" Tarita.
For much of his career, Stanescu was a contributor to and editor of Gazeta Literara;, România Literara; and Luceafarul.
His editorial debut was the poetry book Sensul iubirii ("The Aim of Love"), which appeared under the Luceafarul selection, in 1960. The last volume of poetry published in his lifetime was Noduri si semne ("Knots and Signs"), published in 1982.
Nichita Stanescu received numerous poetry awards, of which the most important was the Herder Prize (1975) as well as a Nobel Prize nomination.
Unfortunately, he died of hepatitis relatively young, leaving behind a legendary name and some of the most important poetry in post-war Romanian literature-----------------------------
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--> This caricature was sent to the Romanian Website Caricatura,
for the cultural project "Great Romanians 2007"
--> Source of the biography: Wikipedia
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Tristan Tzara was a Romanian poet and essayist. He was one of the founders of the Dada movement, known best for his manifestos. He was a collaborater with Marcel Janco. It is speculated that the word "Dada" comes from the Romanian "Yes, yes" and is thusly originated from Tzara and Janco's contributions.
Tzara was born in Moinesti, Bacau, Romania to a family of Romanian-speaking Jewish ancestry. Tzara wrote the first Dada texts, La Première Aventure céleste de Monsieur Antipyrine (The First Heavenly Adventure of Mr. Antipyrine) (1916), Vingt-cinq poèmes (Twenty-Five Poems) (1918), and the movement's manifestos, Sept manifestes Dada (Seven Dada Manifestos) (1924).
In Paris he engaged in tumultuous activities with Dadaists André Breton, Philippe Soupault, and Louis Aragon to shock the public and to disintegrate the structures of language.
In late 1929, weary of nihilism and destruction, he joined his friends in the more constructive activities of Surrealism. He devoted much of his time to the reconciliation of Surrealism and Marxism and joined the French Communist Party in 1937. He was active in the French Resistance movement during World War II. He left the Communist Party in 1956, in protest against the Soviet quelling of the Hungarian Revolution.
His political commitments brought him closer to his fellow human beings, and he gradually matured into a lyrical poet. His poems revealed the anguish of his soul, caught between revolt and wonderment at the daily tragedy of the human condition. His mature works started with L'Homme approximatif (The Approximate Man) (1931), and continued with Parler seul (Speaking Alone) (1950), and La Face intérieure (The Inner Face) (1953). In these, the anarchically scrambled words of Dada were replaced with a difficult but humanized language. He died in Paris and was burried there in the famous Cimetière du Montparnasse.
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--> Source : Wikipedia
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