Portrait de la Chanteuse Maurane par Ben Heine - RIP

Ben Heine Drawing Marta (Before and After Versions)

 

Amazing Realistic Pencil Portrait of Artist Ben Heine and Marta Heine by Olamide Ogunade (OliscoArt)

OliscoArt 

Thomas Morret - Maréchal Ferrant - Portraits Photos par Ben Heine - Woody Horse Concept

François de Brigode: Présentateur du journal RTBF en Belgique, Journaliste mais aussi Photographe - Portraits et Photos par Ben Heine

Samir Borro, African Art Collector

Drawing for 22 years :D #drawing #benheineart #art #dessin #magicitylife #artist #benheine @magiccitylife #sketch

via Instagram

Portrait of Ben Heine by Christian Rainer Kurzeder, Dresden, Germany

Photo by Christian Rainer Kurzeder

Tribute to Nelson Mandela

New Me

Interview for Cultural Voice

Portrait of Ben Heine by Rolando

Ben and model in a science Museum

French, they say, is the language of love. Ben Heine, graphic artist, musician, and photographer dabbles in a different sort of love, the love of art. This cultural aristocrat, if there ever were one, is a man of diverse culture, a speaker of at least six languages, Heine is the quintessential cosmopolitan, without the usual air of self-indulgence and smugness which typically attend folks who have achieved as he has. 

A Gallery Of Talent

Rainbow Canyon

“It is not the fact that being an artist is something I wanted to be absolutely, it’s just that art came to me, I didn't have any choice” Ben proclaims poetically. “It’s the only thing I am not bad at. I am not anything else, so I guess, I am an artist.” Heine naturally eschews praise, refusing to rest on his laurels. “Art is not a goal in and of itself, it’s just a description. Every person is an artist; it’s just that sometimes they don’t know it. We are all able to express things. All we need is to find the right tools, the right time, the right people and the right place to do so.”

Ben playing the piano in his studio

An aspiring musician with an unmolested love for electronic music, Heine plays the piano and the guitar but considers himself the consummate drummer. “Music is more powerful,” he interjects, a startling confession for an artist whose claim to fame is a non-musical endeavour. “I started playing music two years ago secretly,” that is, until he developed the confidence to share his passion with the world. His love for music marries well with his love for graphic art, “It complements my graphic work and it helps me to grow as an artist.”

Ben's Bob and Marilyn portraits

This is readily apparent in Heine’s graphically artful recreation of Bob Marley, who he says, inspires him because of “his message and values of universality and inclusivity.” It is these “timeless themes that inspire my work, as well as notions of freedom, happiness, love and friendship, it gives me hope and strength and it helps me to live a better life.”

The Birth Of “Pencil Vs Camera”

Heine started putting pencil to paper when he was only eleven years of age. Traditionally trained and schooled in journalism and communications at the prestigious Belgian university, Université Libre de Bruxelles (ULB), where he began, and later completed his studies at IHECS Journalism High School. 

Project for Museum Night Fever

Heine tried his hand at political cartoons. This brief encounter was far less charitable to him than he had hoped, “it only brought me trouble.” His political activism, at the cusp of his youth, unleashed a string of criticism and threats. In the end, Heine felt it was perhaps wiser to spend his talent elsewhere and walked away from political cartoons, vowing never to return.

PvsC Behind the scene

All was not lost, however. It was his training in photography during his studies that wedded his drawing to his camera. “I wasn’t satisfied with only drawing or only photography, so I had to find a way to merge the two and this is how Pencil Vs Camera was born.” Arguably the most successful artistic collection Heine has created so far, Pencil Vs Camera, hopes to “bring some imagination and surrealism to the photography,” creating “an interesting combination.” This series of artworks is considered as one of the most creative ones ever.

Ben shooting at Teide volcano

The collection began in 2010 and was the only one of its kind. Today, others have borrowed from Heine’s brilliance, and started to fashion for themselves, something of a replica. Many schools worldwide started teaching Ben's techniques to their students. They say imitation is the highest form of flattery...

Social Media Buzz

3D Pencil Vs Camera in progress

Heine lit social media ablaze, commanding an impressive 220 thousand “likes” on Facebook. He notes that “Social media helps. It creates each time a mini- buzz for your art.” But Heine is quick to qualify that its effect on sales remains to be seen. Heine receives some, but limited, sponsorship from private entities. He admits that much of his income is generated from the sale of his art work and via art exhibitions. When opportunity allows, he also partners with other artists to create artistic collaborations.

Above the clouds in Tenerife

In a raw, reflective moment, Heine reminds artists not to be careless with their work. “I started naively, when I was young, being very generous and providing high resolution pictures to others. Nowadays if you hand-out high resolution samples of your art, you’re dead as an artist,” he exclaims in a sullen voice. 

Heine also advises that artists give “150%, so that they don’t regret anything” and finally, “to ignore” naysayers who say “you can’t do it.” When all is said and done, Heine hopes his legacy is one of “innovation” and he is remembered as “a creative artist and a champion of peace and love. I hope young people will be inspired by what I’m doing.”

Ben's Babies

Ben Heine and his son Theo

Married, with a new-born son, Theo, Ben reveals, “I am very proud of him. It’s one of the things I am most proud of. I don't even remember how was my life before he was born. He changed me, he changed my life. Being a father is really something you learn slowly. I hope I'm a good father.” And, with a deliberate word of interjection, “And all of my artworks, they are my babies as well, each one has its own character.”

Illustrating "Los Gigantes"

Many a generation of artists look to the drawings of Da Vinci, the paintings of Picasso and Rembrandt, they may yet, one day, look with favour upon Ben Heine. I’ll leave it to art historians to decide the legacy of Pencil Vs Camera, but I can, and will say, it’s sketching its own path to be soulful art to a hungry tech-savvy generation.

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Note: This interview was written by Derefe Chevannes and originally appeared in Cultural Voice, a magazine released in Jamaica and worldwide.

Ben Heine on Instagram

I'm finally on Instagram: www.instagram.com/benheineart I hope you can join me there too! I plan to post more personal photos (but still creative) on my Instagram account. Coming soon.

© 2013 Ben Heine

In Memory of Nelson Mandela

Freedom and Peace, RIP Nelson Mandela, sketch by Ben Heine © 2013

In memory of Nelson Mandela. My small tribute for a hero. RIP. Nelson Rolihlahla Mandela was a South African anti-apartheid revolutionary, politician, and philanthropist who served as President of South Africa from 1994 to 1999.

© 2013 Ben Heine

Interview for Russian Photo (*)

Ben Heine at Tour de France Photo © Thomas David 2013

(Русская версия)

Russian Photo: How long have you been taking pictures? 

Ben Heine: I started drawing 20 years ago and started taking photos some 10 years ago.

Did you study photography professionally? 

Not really, but during my Journalism studies, I did have to manipulate cameras and learn a bit of analog and digital photography.

What is your profession? 

Now, I'm doing creative projects as a freelance artist and selling prints during exhibitions etc... This is my main source of income right now, but I'm planning to find another job soon because it's hard to make a decent living in the art industry.

You create truly unique pictures. How come such ideas? 

I've been working on graphic projects for many years. Mixing drawing and photography really came naturally.

You are called the master of photo manipulation. Do you agree with this? 

No, I don't, I think there are plenty of better people doing photo manipulations. I'm doing something different. I'm better at finding ideas and concepts and I love mixing mediums. Spending days on the same image (drawing or photo) to improve it and making it look good can be really annoying, I'm doing this only because there is nobody else that could do it exactly the way I want. I generally prefer the first steps of the creation process: finding ideas...

Pencil Vs Camera 64 - No More Routine

How much time does it take to create one work? 

Several days or several weeks, depending on the image complexity.

How difficult is it to combine photos and sketches? 

It's easy for me, I'm working like a robot, seeing pixels, lines and shadows instead of the whole drawing or photo. some of my pictures look like drawings because I like to edit them this way (view some before and after versions).

Which brands of photo cameras do you use? Do you teach master classes? 

I currently use Canon and Samsung cameras. I don't teach master classes, but I do some workshops and conferences from time to time.

Is it possible to combine originality and professionalism? 

Originality is the most important for me, then if people like it, I try to make a business out of it.

What can you advise to beginners who are looking for your style? 

Don't try to imitate any style, your creations should be a complete reflection of yourself only. With experience, you'll learn who you really are and you'll then be able to express what you really want.

What is the secret of your popularity? 

I'm not sure I'm popular. But I know that I'm always trying to be sincere with other people and true with myself. I'm also always trying to give the best I can and to be be innovative and generous in my art. I want to share love and energy. Hopefully the persons who view my works can feel it.

Have you visited Russia? Are you planning to visit our country? 

Not yet, but I love Russia and Russian culture. I've learned Russian language several years ago (see a small hand written note here below). I hope I can visit your country soon and organize an art event or exhibition!

Ben Heine autograph in Cyrillic alphabet for "Russian Photo"

(*) Russian Photo is a 10 year old magazine dedicated to photography. It gives information about art events and exhibitions, interviews of masters, photo tutorials, camera reviews and trends. Read the above interview on Russian Photo website at this link.

© 2013 Ben Heine

Interview Voor Volkswagen Magazine - NL (*)

© 2013 Ben Heine

(Version française à ce lien | English version here)

INTRO: Ben Heine, auteur van het edito in de herfsteditie van Volkswagen Magazine, is een multidisciplinair artiest die speelt met technieken en kunstdragers. Hij combineert fotografie en tekenkunst, zoals in de reeks ‘Pencil Vs Camera’, maar werkt ook met het menselijk lichaam, bijvoorbeeld in ‘Flesh and Acrylic’. Een echte virtuoos met een potlood, maar evengoed bedreven in digitale technieken. Ben Heine stapt moeiteloos van de ene wereld in de andere, en het resultaat is altijd verrassend.

Peyo Lissarrague: Je studeerde journalistiek maar leerde jezelf tekenen. Maakt dat het moeilijker om erkenning te krijgen van collega’s?

Ben Heine: Autodidact zijn, heeft zo zijn voor- en nadelen. Door het feit dat ik geen kunst gestudeerd heb, zijn er ongetwijfeld al deuren voor me gesloten gebleven. En bepaalde collega’s kijken misschien wat op me neer. Anderzijds geniet ik enorm veel vrijheid. Ik kan nieuwe wegen bewandelen, ik ben niet gebonden aan academische dogma’s of een bepaald type onderwijs. Ik teken al sinds mijn prille jeugd, met veel passie. Ik heb hard gewerkt, ik geloof niet echt in talent. Tekenaar word je door te tekenen. Door vol te houden.

Je studeerde journalistiek en je bent tekenaar… je had bijvoorbeeld ook actualiteitscartoonist kunnen worden. Waarom koos je voor een andere weg?  

Ik heb veel respect en bewondering voor actualiteitstekenaars. Het is heel moeilijk om in enkele pennentrekken complexe situaties uit te beelden. Persoonlijk leg ik me liever toe op universele zaken, niet zozeer op dagdagelijkse details. Ik ben geen artiest die graag polemiek opwekt. Ik ben geen wereldverbeteraar, maar wil wel een boodschap van liefde en vriendschap uitdragen. Ik wil iedereen bereiken, mensen samenbrengen in plaats van te provoceren.

Je laat je inspireren door artiesten zoals Magritte. Is kunst een spel?

Ja, ik geloof in humor in kunst. In een ludieke, kinderlijke kijk. Wat natuurlijk niet impliceert dat ik geen humanistische waarden verdedig of diepgang zou missen.

Dat is ook wat je doet in je reeks ‘Pencil Vs Camera’. Je verbergt je niet achter optische illusies maar figureert zelf in je werk. Is dat een keuze?  

Mijn hand verschijnt inderdaad in die reeks. Ik hou een tekening vast die in de foto geïntegreerd wordt. Ik voelde van in het begin instinctief aan dat dat nodig was om een evenwichtig geheel te creëren. Het is natuurlijk geen mooie vrouwenhand, mijn hand breekt de harmonie een beetje. Op die manier wilde ik het maximum uit het concept halen. Ik wilde een bruuske overgang creëren tussen de verbeelding en de realiteit van de foto. Zo zie je heel duidelijk dat er geen Photoshop aan te pas gekomen is. Ik hou de tekening echt vast en kadreer mijn foto zo dat de lijnen overeenkomen. Dat vraagt heel wat fysieke inspanning!

Jouw idee werd al veelvuldig hergebruikt …

Vooral reclamebureaus lieten zich al inspireren door het concept. Ik vind dat goed, dat bewijst dat het een goed idee is! Voor mij is ‘Pencil Vs Camera’ een beperkte reeks. Als ik honderd beelden heb, stop ik ermee. Ik ben momenteel al met andere projecten bezig. Voor ‘Digital Circlism’ maak ik pointillistische portretten van beroemdheden maar dan met grote stippen en cirkels. ‘Flesh and Acrylic’ is een project rond het lichaam. Ik beschilder levende modellen van kop tot teen en integreer ze in een trompe-l’oeuil. En vorig jaar startte ik een muzikaal project op… een nieuw avontuur.

(*) Volkswagen Magazine is het officiële tijdschrift van Volkswagen met auto-advies, de laatste nieuwe modellen van Volkswagen, wedstrijden maar ook lifestyle, sport en festivals. Lees dit interview op Volkswagen Magazine website.

Editorial, interview and cover in Volkswagen Magazine (2013)

Ben Heine art for an article in Volkswagen Magazine (2013)

© 2013 Ben Heine