Recent Photos (Mix - June 2015 to January 2016)

Warsaw, photo by Ben Heine (more photos)

Forest Melody, photo by Ben Heine (more photos)

Tranquil, photo by Ben Heine (more photos)

Theo, photo by Ben Heine (more photos)

Horizon, photo by Ben Heine (more photos)

Forest in Chevetogne, photo by Ben Heine (more photos)

Han sur Lesse, photo by Ben Heine (more photos)

The Sea, photo by Ben Heine (more photos)

Recent Online Publications

Yahoo News India (June 2012)

The Sun (June 2012)

BBC Brasil (June 2012)

MSN Mexico (May 2012)

The Telegraph (May 2012)

Globo (May 2012)

Daily Mirror (June 2012)

Topky (May 2012)

El Economista (May 2012)

Anninh. Thudo (May 2012)

© 2012 - Ben Heine

From Italy With Love

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We just came back from a great 3 days trip in Northern and Central Italy. We visited Venice, Rimini, Florence, Bologna, Forli, Faenza and Cesena. Many thanks to our guides and friends HEESUN and PAOLO. I'll share many artistic photos in the coming weeks.

© 2011 - Ben Heine

There is a Sun in Every Flower
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The above photo has been shot with the Samsung NX10,
which has been provided to me by Samsung Digital Imaging Co., Ltd.

© 2010 - Ben Heine

Enjoying Life
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I took this photo in Katowice, Poland

© 2010 - Ben Heine

I Believe in God

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© 2009 - Ben Heine

Relaxing On The Grass
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© 2009 - Ben Heine
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A picture I took around Oxford in England
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Engaging
Hands of
Earth

A poem by Peter S. Quinn

Engaging hands of earth - you touch us still
Around and round in every transparent dream
Each bleaching falling glisten in quietness seem
Dear sweet autumn that my yearnings fulfill
Your smooth earthen mixture of shadings to thrill
With stars in your hair of yellow brown stream
Summer of gold is now leaving in gleam
Giving to dim every song in its skill

Withering dark to the changing grass confer
With ground tincturing that dresses the leaves
In the placid of days that are going by
Now is the time of full harvesting year
Just before tomorrow comes in with grieves:
Crack of dawn calm and the red clouded sky
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Get On Through

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© 2009 - Ben Heine
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Always Be a
Beginner to See

A poem by Peter S. Quinn

You, always be a beginner to see
The runaway in motions close from you
The street's not empty if there is a tree
Shadowing your footsteps from the sky blue
Each of your moments is nearly not fed
Like rain bowing colours in cyberspace
The prism of few: yellow, purple, blue, red
Coming and visiting each of your place
Come see a few pictures there in your mind
Experience passing longitude in line
If I'm not wrong and you're not colour-blind
It's hard all those shades clearly to define
Closed book gets open a guide to the way
How you each moment meet with a new day.
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Lost Girafe on the Highway
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© 2009 - Ben Heine
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Daydreaming Is
Often Bad

A poem by Peter S. Quinn

Daydreaming is often bad
Getting you nowhere at time
Living with once that you had
When it was early and prime

With every move and sensation
Giving you much to think
Love in its much tarnation
Into each catch like a blink

Riding on clouds to the far
Into the beguiled of their dark
Knowing sometimes what you are
Before on journeys you embark

When there's time just to know
What it is that you give me?
In every up and air blow
When we on dreams ride free

And if we are lost by a heart
In darker moments than some
Knowing when again then to start
To bring back where good is from

When we dream much of it
It isn't going to hurt us so much
We shall have time then to quit
Before it ever becomes to be such

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The Way To Her Heart

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© 2009 - Ben Heine
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My sweet Marta.
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Beautiful
Evening
Comes

A poem by Peter S. Quinn

Beautiful evening comes,
In sweet rendezvous melody;
Like the silvery amalgams,
With it's wings so playfully.
Daybreak in orange grove,
In the blue blossomy;
That comes for a night glow,
And late hours so bonny.

Where can a brownie be,
That loves a glitter bloom;
And flies a round a tree,
Like summer's little groom.
Heart as gold at daybreak,
When the fairies all fly in;
Newborn in morning wake,
With their little fluffy spin.

Then starts the new singing,
For what was quiet and still;
The fiery light is clinging,
Over the sleepy drown hill.
Come closer you new day,
With breeze there roundabout;
Amid rose bay in the way,
Taking away the nights doubt.

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The African Pony
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© 2009 - Ben Heine
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Elemental Clouds

A poem by Peter S. Quinn

Elemental clouds now ride the skies alone
Through the bound of the net raindrops falling
I hear a little music from some pebble stone
While the drizzles are splashing and calling
Steams in the wild it’s the forest song
Flowing with its drum drops earth-rending
Something for my heart in harmony to long
Each the flower petals and leaves bending

You and I we had our different ways
Sunshine and the rain songs that we found
In slanting slashing sky like horses that gallop
Tinctures in its shades dyed many plays
To the underneath water lustrous around
A thought in a walloping like the raindrop
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Things Grow Up To Die
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© 2008 - Hubert Lebizay

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Desert
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By Roy Brammell

Sage brush! Mile after mile,
Quiet in the sun, and shimmering;
Ever in the sun, ever shimmering!
The long low mountains
Seem to crouch beneath the heat,
And the earth, dried to a powder,
Is strewn with choked brown grass.
Ants burrow in the ground
And live on things that perish here.
Stream beds are dry, beaten paths
Of rabbits and sage coyotes
That for keen thirst run the full length
Of each ravine, and fall at last
As did one here whose bones lie scattered,
White as snow beneath the sun.
God, the waste! the quivering waste!
Where things grow up to die!

(Poem's source : www.skyways.lib.ks.us)

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The poem and photo appeared
on hubzay.deviantart.com

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Smile !
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© 2007 - Ben Heine

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Smile, Please
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By Amelia Gentleman

It's the most famous painting in the world and a must-see for anyone visiting Paris. But most people fight through the crowds to spend a mere 15 seconds in front of it - just long enough to grab a snapshot. So why do they bother?

Objectively, this is a very bad tourist experience. At least at the Eiffel Tower, the other highlight of travel-brochure Paris, you get the excitement of the lift and an incredible view. Here you get one small, dark picture surrounded by a jostling crowd of hundreds.

It is hard to see how anyone can genuinely enjoy looking at the painting in these circumstances, which probably explains why most people don't. A few seconds, a few photographs and the line moves on. The speed with which the majority of visitors deal with this tourist obligation is astonishing. And yet, unless they have anarchist tendencies, no first-time visitor to Paris would consider skipping it.

The Mona Lisa remains the most famous painting in the world. This year the crowds lining up to see it have grown thicker than ever, with the influx of millions of new Chinese tourists into Europe. A day spent in the room where the picture hangs reveals much about the global tourist industry - illustrating which countries are doing well enough economically to allow their middle classes the chance to visit France. It casts only scant light on why people still bother to come in their thousands to pay homage to the painting.

If you starting queuing well before the Louvre's doors open at 9am, and walk briskly through a network of long galleries that stand between the entrance hall and the first-floor room where the painting hangs, you can reach the Mona Lisa at about 9.09, before anyone else. For a short few minutes it is cool and quiet. A guard is rearranging the crowd barriers in the centre of the room with careful precision.

Four Chinese tourists are the first visitors at 9.11. They arrive, visibly delighted, and begin to examine the picture, holding their hands up to shield their eyes against a sun which isn't there. They take a few pictures of the painting and then of each other in front of the painting. Their delight lasts for about 50 seconds, after which they hurry off.

The rumble of dozens of approaching feet is already audible by 9.14, as dozens of people make their way rapidly down the grand gallery, rushing past Caravaggios, Bellinis, Raphaels and a few other da Vincis, guided by the Mona Lisa signposts. By 9.20 there is a group of 28 people standing in front of the painting and fathers are already having to hold their children above the crowd so that they can see.

"People come because she is famous. Period," says Pete Brown, a retired businessman from Iowa, with some irritation. "But you want my opinion honestly? I'm not overly impressed."

At 9.30 the crowd has grown to about 47. Mobile phones are used to take pictures. Children show their parents how to use the equipment. The noise of the clicking of shutters, the buzzing of zooms whirring in and out, the satisfied pips of the machinery signalling its readiness, becomes overwhelming. Some couples kiss as they walk away, happy that another part of the Paris experience has been completed. At 10.14 the mass of people is 12 rows deep; 15 minutes later there are so many people elbowing from behind that it becomes uncomfortable to stand at the curved wooden barrier by the front of the picture.

"She must be one of the ugliest women in the world," a teenager mutters.

Waiting to see the Mona Lisa has all the thrill of standing in an airport check-in queue. The crowd pushes forward, cattle-like and unquestioning, performing a ritual they know they have to go through with in order to complete a pre-ordained tourist experience.

By midday the room is seething with visitors, the line heaves towards the front, a slow, weary museum trudge, and around 70 more people file in every minute. Caged in a box of bullet-proof glass, the picture looks unimpressive under the harsh institutional lighting. Winking dots of red and orange reflected camera eyes dance across the canvas and every few seconds the Mona Lisa's face is obscured by another flash.

"I don't know why they keep coming," Stephane, a security guard who has worked for the Louvre for the past two years, says. "It's a nice painting, but there are many more interesting pictures elsewhere in the museum. People don't look at it anyway. They come in, take a picture and leave. It takes 15 seconds."

"People no longer study it. It is no longer a painting, but has become a symbol of a painting," says Darian Leader, author of Stealing the Mona Lisa: What Art Stops Us From Seeing. Looking at the visitors from the front of the crowd, about half have their faces pressed into a camera. Those at the back arch onto tiptoes, hold their arms far above their head and take a picture, paparazzi-style.

You have to feel sorry for Salvator Rosa, whose pictures hang to the left and the right of the Mona Lisa. No one spares a glance for the enormous Heroic Battle, 1652, to the left, with its dramatic portrayal of carnage. There must have been a time when this would have been the more obvious crowd-gatherer, but a sequence of quite random events has transformed the Mona Lisa over the past century into a celebrity painting.

Before the 1789 revolution, scarcely anyone had access to it. Then, with the creation of the Louvre, it was for some time kept in the curator's bureau, away from the hordes, and valued much less than Leonardo's Virgin and Child with St Anne. But as the romantic poets of the 19th century began to be obsessed with the femme fatale, the Mona Lisa was seized on as an ideal of womanhood, her smile and the eyes venerated. The confusion over quite who she was increased her allure.

Donald Sassoon, author of Becoming Mona Lisa - The History of the World's Most Famous Painting, points out that such was the profusion of religious paintings of saints, famous royals, skinny Dutch women and obese Rubens females, that there weren't that many other paintings of unknown, beautiful women to choose as the object of male fantasies.

Then just as the painting was gaining mass recognition, it was stolen in 1911, at a time when popular newspapers were booming. The image was reproduced globally as the search began. Such was the painting's new significance, that people lined up to stare at the empty space where the picture had been hanging. The story of the theft and its rediscovery inspired dozens of books and films. Then came the lampooning of the work by Marcel Duchamp, the appropriation of the image by surrealists, pop artists, and finally by the advertising industry.

Art historian EH Gombrich says the picture has become so worn out by all these references that it's almost impossible "to see it with fresh eyes". But the reality is that in the Louvre, you cannot really see the painting at all for the far more practical reason that there are too many other people in front of it.

Some visitors are quite open about their frustration. "The Mona Lisa is probably the single most disappointing piece of work in the entire world," Guy Kress, an experimental psychologist from California, says. "The picture everyone has in their minds is much larger and brighter." It is true that the poster reproduction in the museum shop is a much bolder image. With this fresh in your mind, the original looks dour and gloomy.

Moonkyou Kim, a tour guide with a group of 16 tourists from Seoul, taking a 10-day whirlwind tour of Europe with 24 hours in France, says the anti-climax is palpable. "People aren't very happy when they see it. It's too small. They don't believe it's the original." But of the 51 people approached randomly over the day, the majority still say the picture is wonderful and they are thrilled to have seen it. Despite the crush and the inconvenience there is for many a reluctance to question the value of the experience.

To doubt that the Mona Lisa is worth seeing is a bit like asking whether it's worth coming to Paris at all. The Mona Lisa is a key part of the Paris package, and one of the reasons why you come to France, why you come to Europe. For most tourists this moment will be a critical part of their memory of France as a whole. To come here and not be amazed or delighted is in some way to admit that the whole Paris experience is somehow not as great as it's cracked up to be. Most people know this is illogical, and yet they buy into it anyway. "When you come to Paris for the first time, you have to see the cliches. You can't be too proud," Oded Hauptaman, an opthamologist from Melbourne says.

Among the thousands who process past throughout the day, there are very few who pause to look hard. Takuya Sejima is an exception, stopping for over 30 minutes, holding his hand up towards his eyes at different angles, using his museum plan to help measure different sections of the painting, making notes. Next to the rushing masses, his behaviour looks eccentric, verging on the insane. An 18-year-old art student from Tokyo, he wants to assess why daVinci made the left hand so much larger than the right hand, and so out of proportion with the face. "It's marvellous. It's difficult to express why in words," he says.

Later the tourists become wearier, their legs heavier, more prone to squabbling with their partners. The number of tour groups dwindles. The number of French visitors increases. Leading away his small group of French art enthusiasts, Bruno de Baecque explains: "People invest a lot of hope into the prospect of seeing the Mona Lisa for the first time. It becomes a quasi-sacred experience. They're ready to suffer considerable discomfort to extract some pleasure from the experience. No one can really know if they're disappointed. I tell people to try to enjoy the thrill of seeing the painting surrounded by crowds."

By 9.30pm there are only about 10 people left in the room, and for the first time all day there's time to really examine the painting. But as closing time approaches, guards shoo the remaining visitors away so that only Mohamed Elabdi, the night cleaner, remains sweeping away the mound of rubbish discarded over the day at the foot of the painting.

After 30 years in France, he saw the painting for the first time three days ago when he started this new job with the Louvre. "It's hard to hard to understand what the fuss is about," he says. "But the way that the eyes follow you around the room as you work is disconcerting."

----------------------

--> The above article appeared on arts.guardian.co.uk
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Selection of Major Online Publications

The Daily Mail - UK (2014)

Daily Record - UK (2014)

The Daily Mirror - UK (2014)

MSN - UK (2014)

De Morgen - Belgium (2014)

Adevarul - Romania (2014)

PressTV - Iran (2014)

Panorama - Italy (2014)

Het Laatste Nieuws (HLN) - Belgium (2014)

Sabado - Portugal (2014)

De Redactie/VRT - Belgium (2014)

2

Noticias24 - Venezuela (2014)

Het Laatste Nieuwe (HLN) - Belgium (2014)

Fubiz - France (2014)

Metro Online - UK (2014)

Crienglish - China (2014)

Beautiful Life - UK (2014)

LOTL Rescue FB (2014)

iCanvasART - USA (2014)

Lemesos Press - Greece (2014)

Onedio - Turkey (2014)

Patras Events - Greece (2014)

Lianhe Wanbao - Singapore (2014)

Eticamente - Italy (2014)

Pure Break - France (2014)

Hinews - China (2014)

De Redactie/VRT - Belgium (2014)

Xinhuanet - China (2014)

CNTV - China (2014)

Hebnews - China (2014)

Web Urbanist - UK (2014)

VT News - Thailand (2014)

Visual News - China (2014)

UnWire - China (2014)

eBuzz - South Korea (2013)

eNewsToday - South Korea (2013)

F.OUND - South Korea (2013)

Hankyung Daily - South Korea (2013)

eDaily - South Korea (2013)

The Herald Business - South Korea (2013)

Wowtv - South Korea (2013)

Culinaria Ben Heine and Yves Mattagne (2013)

Culinaria Ben Heine and Axel Colonna (2013)

Toxel - Hungary (2013)

MyModernMet - USA (2013)

DesignBoom (2013)

Informe21 (2013)

Ziarul de Iasi (2013)

 

Xinhua News (2013)

Adobe Photoshop - USA  (2012)



Samsung - Portugal (2012)

Adobe Photoshop FB page - USA  (2012)

Samsung Portugal FB Page (2012)

 Bit News - Portugal (2012)

Information Times - Dayoo News - China (2012)

Photography Blogger - USA (July 2012)

Yahoo News India (June 2012)

The Sun (June 2012)

BBC Brasil (June 2012)

MSN Mexico (May 2012)

The Telegraph (May 2012)

Multimedia Arts - Australia (July 2012)

Globo (May 2012)

Daily Mirror (June 2012)

Topky (May 2012)

El Economista (May 2012)

Anninh Thudo (May 2012)

Daily Mirror (May 2012)

PSFK - USA (July 2012)

Excelsior - Mexico (July 2012)

Fabulous Noble - Great Britain (July 2012)

9 Gag (April 2012)

9 Gag (February 2012)

Cult of Mac (March 2012)

Huffington Post (March 2012)

Art Buds (March 2012)

Street Art (March 2012)

Bored Panda (April 2012)

My Modern Met (April 2012)

The Sun (2011)

The Telegraph (2011)

.

The Sun (2011)

.

The Huffington Post (2011)

Yahoo News (Oct. 2011)

(it was on the homepage of Yahoo USA, Canada, Argentina and Spain)

Daily Mail (Sept. 2011)

Photoshop FB page (2011)

News.com (2011)

.
CBS News (2011)

.

The Telegraph (2011)

La Repubblica (2011)

El Pais (2011)

Daily Mail (2011)

The Telegraph (2011)

BBC Brazil (2011)

La Informacion (2011)

Xatakafoto (2011)

DesignBoom (2011)

Kurier (2011)

CNN Turk (2011)

Pop Photography (2011)

Tuoitre (2011)

Peru.com (2011)

Radikal (2011)

Okezone (2011)

My Metro (2011)

FYIapple (2011)

čas (2011)

Freakepedia (2011)

The Design Inspiration (2011)

Webnoviny (2011)

Newslite (2011)

IberPress (2011)

Reportages Photos (2011)

Newsletter of the Belgian Embassy in London (2011)

Yahoo Germany (2011)

MSN Brazil (2011)

De Standaard (2010)

Arte Spain (2011)

Obvious Mag (2011)

Estadao (2011)

Inspiration Feed (2011)

The Telegraph (2011)
Shortlist (2011)

Creative Monkeyz (2011)

RTVE (2011)

Samsung Imaging (2011)

My Modern Met (2011)

Trends Now (2011)

Design You Trust (2011)

Weeklysh (2011)

The Next Web (2011)

Something We Like (2011)

Wild Experience (2011)

Zoomzine (2011)

Lost at E Minor (2011)

Graphik Island (2011)

Minute Buzz (2) (2011)

Bruno (2011)

Trend Hunter (2011)

Design Love (2011)

Creadictos (2) (2011)

Maxi Tendance (2011)

Photoxels (2011)

Mercury Movil (2011)

PTC (2011)

Dantri (2011)

Newslite (2011)

Criativa (2011)

Oddity Central (2011)

East News (2011)

Short News (2011)

Designer Grill (2011)

AGD Mag (2011)

Franck Bruckner (2011)

Newzilla (2011)

Shiny Shiny (2011)

.

Outstanding Photographers (2011)

.

Photography Blogger (2011)

.

Dushi (2011)

.

Complex (2011)

.

The D Photo (2011)

.

Phototrend (2011)

Nieuwsblad (2010)

Justin Timberlake Site (2010)

BoingBoing (2010)

Brussel Nieuws (2010)

BuzzFeed (2010)

Flickr Blog (2010)

Fubiz (2010)

Gigazine (2010)

Humo (2010)

Koreus (2010)

LearnDesign (2010)

Like Cool (2010)

MIG News (2010)

MinuteBuzz (2010)

NewsLite (2010)

Peta Pixel (2010)

Queeried (2010)

Supo (2010)

Trend Hunter (2010)

Trends Now (2010)

Bored Panda (2010)

Abduzeedo (2010)

Designers Couch (2010)

Topito (2010)

Toxel (2010)

Older online Publications (June 2010)

And here

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NEWEST ONLINE PUBLICATIONS
.

My designs have also frequently appeared on these online references (the following list was last updated in 2010):

‘BBC’, ‘Gizmodo’, ‘RTVE, ‘Abduzeedo’, ‘Artprice’, ‘CNNturk’, ‘TheNextWeb’, ‘ShortNews’, ‘Toxel’, ‘Fottus’, ‘Fubiz’, ‘YourInspirationMagazine’, ‘ForwardThinkingMuseum’, ‘CoolPictureGallery’, ‘ArteSpain’, ‘TempoStretto’, ‘Buzzfeed’, ‘BoingBoing’, ‘Mydesy’, ‘UniqueDaily’, ‘FigurativeArtist’, ‘TheLuxurySpot’, ‘PhotographyOffice’, ‘TheAwesomer’, ‘MSN’, ‘Yahoo’, ‘BestBookmarks’, ‘SomethinAmazing’, ‘FolhaDeSãoPaulo’, ‘Sub-Reality’, ‘FreshBump’, ‘GameKult’, ‘IllusionArt’, ‘UltimoSegundo’, ‘Pernambuco’, ‘Odcloneno’, ‘FrancescoMugnai’, ‘Eosso’, ‘LookAtMe’, ‘DesignBump’, ‘WebDev5’, ‘InspirationFeed’, ‘AnimHut’, ‘FullScreenMag’, ‘AccessibleArtFair’, ‘AffordableArtFair’, ‘DesignFloat’, ‘Grafficoo’, ‘AppartGallery’, ‘TheArtMovement’, ‘LumiereSur’, ‘CrooksAndLiars’, ‘MarinChiriac’, ‘BritishBlogs’, ‘Newslite’, ‘Grappa’, ‘TVBrussel’, ‘E-Junkie’, ‘PopPhoto’, ‘Moillusions’, ‘ShutterSkill’, ‘CGArena’, ‘TheWondrous’, ‘ThePhotoArgus’, ‘ActuartNet’, ‘Zizot’, ‘Koreus’, ‘Demotywatory’, ‘OnionMag’, ‘PicameMag’, ‘Framtiden’, ‘Pictures’, ‘Miiinimal’, ‘SmashingMagazine’, ‘FlashNews’, ‘FlavorWire’, ‘Lurvely’, ‘ZootPatrol’, ‘PetaPixel’, ‘ArtYouKnow’, ‘CreerMag’, ‘NetVibes’, ‘WebDesignCore’, ‘WeirdStuffOnline’, ‘PhotoPresent’, ‘Pictures’, ‘DessinHumour’, ‘BeautyInEverything’, ‘BrusselNieuws’, ‘DeStandaard’, ‘Nieuwsblad’, ‘Mirror’, ‘Humo’, ‘AnimalNewYork’, BigPictr, ‘Hype-Life’, ‘JaxDailyRecord’, ‘ZestForPhotography’, ‘FunOfDesign’, ‘DesignCorner’, ‘Pichaus’, ‘WebDesign-News’, ‘AllArtNews’, ‘WonderHowTo’, ‘TrendHunter’, ‘DivineCaroline’, ‘TutorArt’, ‘BeautyProducts’, ‘Geeker’, ‘WebAndDesigners’, ‘Skyje’, ‘Tzurin’, ‘Bitrebels’, ‘Buzzdock’, ‘Life-On-Photo’, ‘EscapistMagazine’, ‘SamsungImaging’, ‘WorkFlowPhotoshop’, ‘Kuult’, ‘ShootMeMore’, ‘Buzzinn’, ‘DesignMiner’, ‘TheBoredNinja’, ‘TheFigurativeArtBeat’, ‘MaiMuse’, ‘Art.zjol’ ‘Novate’, ‘Topito’, ‘BuzziNews’, ‘ObviousWinner’, ‘RobotvsBadger’, ‘Photosfolies’, ‘BobMarley’, ‘DelightPhotos’, ‘BrokenControllers’, ‘Artneuland’, ‘JoeMonster’, ‘Hirobow’, ‘Jimmyr’, ‘DigitalMarmelade’, ‘Nadave’, ‘CultureShoq’, ‘Creative’, ‘Popurls’, ‘LeProsorium’, ‘JFdaily’, ‘Design-Newz’, ‘Wopular’, ‘Photo.Tutsplus’, ‘Psd.Tutsplus’, ‘LaughingSquid’, ‘Cultura-Gay’, ‘CrePhoto’, ‘Anti-Gorod’, ‘WeHeartIt’, ‘Vitaminwatercanada’, Roodo’, ‘Juxtaposition’, ‘NRCnext’, ‘WhatiFeeliShot’, ‘CarneMag’, ‘Stifler’, ‘Splendora’, ‘Designyoutrust’, ‘Zupi’, ‘Notcot’, ‘InoverYourHead’, ‘Fokis’, ‘BlueBrussels’, ‘KevinNuut’, ‘LostAtEMinor’, ‘PulpFactor’, ‘WolframMagazine’, ‘Phawker’, ‘Huibit05’, ‘Trickfist’, ‘Canonistas’, ‘Swaziaid’, ‘Baidu, ‘SeaDragon’, ‘Sharman Networks’, ‘Tuenti’, ‘Kwerfeldein’, ‘Celebrifi’, ‘PistonHeads’, ‘Spotindo’, ‘EmilIsberg’, ‘UnknownDivide’, ‘CLFMag’, ‘Skimbu’, ‘ffffound’, ‘GlobalGrind’, ‘LaCuevaDigital’, ‘GlobalTrash’,‘iGoogle’, ‘TheBlogisMine’, ‘Complex’, ‘ExistingVisual’, ‘FunnyJunk’, ‘Seine-Maritime’, ‘ServingHistory’, ‘WindowsOfTheSoul’, ‘Ecrans’, ‘InstantShift’, ‘JoshFassbind’, ‘Timsah’, ‘PandemiaFanzine’, ‘DigitalArtist’, ‘ShootLove’, ‘PixelSteam’, ‘GooGage’, ‘CogumeloLouco’, ‘AmazingMoments’, ‘BangaloreMirror’, ‘Fantastico.Globo’, ‘Stylem’, ‘Funlok’, ‘SimplyPeaceable’, ‘Vlartv’, ‘CurieuxDeTrucs’, ‘Safa’, ‘Photoity’, ‘TodayInDesign’, ‘2leep’, ‘Machoarts’, ‘AcidCow’, ‘AcrisDesign’, ‘El Pais’, ‘DailyMail’, ‘La Repubblica’, ‘FunLogg’, ‘Worbz’, ‘KarlaDiazcano’, ‘Design-Enter’, ‘Demilked’, ‘Portalwww’, ‘FunLimited’, ‘Visboo’, ‘Wahoha’, ‘Cupofwtf’, ‘CoolPictureGallery’, ‘Bruno’, ‘DzineWatch’, ‘Planetoddity’, ‘TheCoolHunter’, ‘PhotoshopCreative’, ‘VuStudents’, ‘PieWay’, ‘ChainSawSandJelly’, ‘Demilked’, ‘TimePass69’, ‘GraphicDrugs’, ‘FunOnTheNet’, ‘TheDesignInspiration’, ‘Photos-Room’, ‘AliceInDesignLand’, ‘EndFun’, ‘TheNewPursuit’, ‘ElBrollo’, ‘Dushi’, ‘PersonalityCafe’, ‘The-D-Photo’, ‘TattooDesignsVault’, ‘Misolutionz’, ‘ObviousMag’, ‘Skirt’ ‘InspirationFeed’, ‘CityofBoston’, ‘PhotographyBlogger’, ‘Complex’, ‘Entretenimento’, ‘Ig-g1.Globo’, ‘Arturogoga’, ‘CorreiodoBrasil’, ‘IdeaFixa’, ‘43pixels’, ‘Novisse’, ‘UOL’, ‘Divirta’, ‘Ideamsg’, ‘Webnoviny’, ‘ReportagesPhotos’, ‘Diariouno’, ‘Taringa’, ‘The Fancy’, ‘RexFeatures’, ‘MyModernMet’, ‘AgdMag’, ‘ArtistsInspireArtists’, ‘Kulturologia’, ‘Blog.Sina’, ‘MechanicalDummy’, ‘Lupin3’, ‘Buzzdock’, ‘Wired’, ‘Sapoworld, ‘Diantre’, ‘IoAcquaeSapone’, ‘Queeried’, ‘FacingPages’, ‘GraphicsWay’, ‘YouAreHere’, ‘Modny73’, ‘NovaMakedonija’, ‘ThemeFlash’, ‘Gammaniak’, ‘Macnyt’, ‘GnomeAngel’, ‘Leaflette’, ‘Kwerfeldein’, ‘Dornob’, ‘Ocondesign’, ‘AhmedGalal’, ‘espineli’, ‘Pop’, ‘Safa’, ‘9gag’, ‘PaperBlog’, ‘Vi.sualize’, ‘Exalism’, ‘FashionIndie’, ‘TheWorldMarch’, ‘TwistedSifter’, ‘Paranoias’, ‘IIlusionArt-gfx’, ‘Gainsbarre’, ‘Artistes-Contre-le-Mur’, ‘KingOfPopMemorial’, ‘CafeDelAmour’, ‘ArtisOpenSource’, ‘WebReweries’, ‘DowntownLaLife’, ‘Bassedef’, ‘WeLikeThat’, ‘ Neeo’, ‘CreativeSideBlog’, ‘Denkanstoesse’, ‘Mag.Sky’, ‘ViewMag’,‘Life-Travels’, ‘AnswerBag’, Gaberism’, ‘BlissTree’, ‘ComparteTusRecuerdos’, ‘HumboldTwings’, ‘Mepeace’, ‘Walyou’, ‘Zogotunga’, ‘FreeThinker’, 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