Showing posts with label PUBLICATION. Show all posts
Showing posts with label PUBLICATION. Show all posts

Interview de Ben Heine pour le magazine Digital Photo (France)

 Interview de Ben Heine pour le magazine Digital Photo (France)

Digital Photo Magazine: Dessinateur depuis l’enfance et peintre depuis l’adolescence, le photographe et illustrateur Ben Heine est aussi musicien. Découvrez l’univers riche en couleurs de cet artiste de 35 ans aux multiples talents…

C’EST pendant ses études universitaires en journalisme que Ben a commencé à étudier et à pratiquer la photographie en autodidacte. Depuis, il s’est forgé une carrière d’une polyvalence rare tout en restant fidèle à son style et ses oeuvres sont exposées régulièrement partout dans le monde. Il est devenu célèbre en 2010 en inventant une nouvelle forme artistique appelée « Pencil Vs Camera », il en a d’ailleurs réalisé un ouvrage paru en 2017 et regroupant plus d’une centaine de ses oeuvres.

Son envie de devenir photographe a été motivée par le fait qu’il « trouvait génial de capturer des petits instants de vie presque anecdotiques et leur donner un “moment de gloire” en les présentant sous leur meilleur angle ». Ben explique aussi qu’en tant que dessinateur et peintre, il était fasciné qu’un simple appareil photo capture autant de détails et d’informations visuelles : « Il ne reste à l’artiste plus qu’à donner un sens aux pixels, à retoucher, remodeler, recadrer et sublimer ces informations. »

Il aime les images épurées et parfois minimalistes, la transmission d’un message simple mais universel : « Le noir et blanc photographique me fascine aussi, je le considère comme un dessin ultra-réaliste. »
Il puise son inspiration première majoritairement du photographe israélien Gilad Benari. Les photos de Robert Doisneau, Henri Cartier-Bresson et Steve McCurry le fascinent également.

En plus de la photo, le dessin et la peinture, Ben s’est lancé dans la musique en 2012. « Je joue du piano et des percussions et je me suis spécialisé dans les programmes de création et de production musicale (notamment Ableton, qui est un peu le Photoshop de la musique…). J’écris et compose des chansons.

Je réalise tout de A à Z et mon style musical est dans la tendance Electro Pop. Et en effet, je réalise des clips pour ces musiques où il m’arrive de monter mais je délègue de plus en plus cette activité. Lorsque j’ai commencé j’ai trouvé qu’il y avait beaucoup de similitudes dans les processus des effets graphiques et musicaux, par exemple la netteté d’une image correspond pour moi au son aigu d’une note et le flou graphique correspond à la réverbération sonore, il y a tant d’autres exemples… »

Ben aime s’amuser en postproduction comme le montrent nombre de ses photos. C’est le cas par exemple de la photo de l’énorme figuier de la baie de Moreton qui a été prise à Séville en Espagne : « J’ai bien sûr réalisé un travail de postproduction et de retouche en repeignant le tronc, les racines et les branches avec des couleurs qui me parlent. J’ai pour cela utilisé l’outil Color dans Photoshop. Comme très souvent, il me faut plusieurs jours pour retoucher une seule photo. »

Cette année, il a des expositions prévues à Bruxelles et à Namur en Belgique. Il nous parle de ses projets en cours : « J’ai beaucoup d’ateliers et de projets en préparation dans les écoles en Belgique et à l’étranger car mon concept Pencil Vs Camera est devenu populaire dans les milieux scolaires. Il est enseigné par les professeurs pour stimuler l’imagination des enfants et ados, ainsi que l’utilisation des nouvelles technologies, pour susciter le débat, apprendre la photo, le dessin, etc. Je travaille aussi sur plusieurs nouvelles photos, une version améliorée du concept Pencil Vs Camera et des chansons. »

Ben Heine Interview in Colored Pencil Magazine (USA)

Artist Ben Heine Interview in Colored Pencil Magazine

Colored Pencil Magazine: Ben Heine’s style is so unique and innovative, it has garnered worldwide attention and fame. He has found a creative way to merge his photography and art, opening a window into a surreal world filled with exciting visual creations.

I was born in 1983 in Ivory Coast and currently live and work in Belgium. I have a degree in journalism but consider myself a multidisciplinary visual artist. I am self-taught in both drawing and photography. My creations have been exhibited in Europe and Asia. My favorite art movements are Surrealism, Pop Art, Geometric Abstraction, Expressionism, and Social Realism. When I’m not creating artwork, I am making electronic music and spending time with my two children.

In 2010 I launched the series Pencil Vs. Camera. After drawing and taking photos for many years, this series seemed like the natural evolution of my work, merging the two to create this project. Pencil Vs. Camera is about illusion, dream, poetry, magic, and simplicity.

The challenge was to create the illusion of 3D on a 2D surface – a simple piece of paper. The sketch needed to connect with the photographic background while telling a story on its own. It is important to me to try to give symbolic meaning to all of my drawings, something more profound than what the photo could portray alone.

This combination of drawing and photograph has been a powerful way for me to express my ideas. There are no limits, and everything is possible in a photograph with a drawing that represents a door to a parallel creative world – straight from my imagination. Producing this concept seemed simple and easy to understand. Sketch a picture, hold it in your hand, and take a photo of it in a place of your choice.

Not all images start the same way. Sometimes an idea is born first. It can take me a long time to find just the right location. Other times, I am inspired by an environment first.

I usually start with a rough drawing, spending hours to days on it, depending on the complexity of the subject. I then go to the location I intend to take the photo. I hold the paper in my hand, carefully making adjustments to line up the subject with the main lines of the scene, and take the picture. Corrections and changes can be made with post-production software to make sure everything works together perfectly.

In 2012 and 2013 I brought some innovations to the concept by adding colors and black paper instead of white. I also tried increasing the size of the drawing. I plan to continue to grow this series, creating images for specific projects I have in mind. In the meantime, you can get my newly published book featuring most images from the series: http://bit.ly/heinebook

Since 2014, many smartphone applications emulate the concept, but of course, it’s less creative. Several other artists have also borrowed the idea to create some variations. At first, I’ll admit, it was a bit irritating to see my original idea done by others, but now I find it cool. I’ve learned what a privilege it is to be able to influence and inspire other artists. I especially enjoy working on collaborations and teaching workshops in schools in which my images have become very popular with the students over the years.


Colored Pencil Magazine


Ben Heine Art in Digital Photo Magazine

Artist Ben Heine Interview - Digital Photo Magazine - United Kingdom - 2016

A long article about Ben Heine's graphic work is just published in the renowned British magazine "Digital Photo Magazine" (February 2017, issue 216). Un long article sur le travail graphique de Ben Heine vient d'être publié dans le prestigieux magazine britannique "Digital Photo" (février 2017, numéro 216).

Digital Photo Magazine - Artist Ben Heine Interview - United Kingdom - 2016Artist Ben Heine Interview in Digital Photo Magazine - United Kingdom

Digital Photo Magazine - Artist Ben Heine Interview - United Kingdom - 2016
A radio interview I gave for "Drive Time Surprise/Show" (TBS FM, Seoul, South Korea). It was broadcasted a few days ago. I was interviewed by Sam and Annabelle (it's in English with a big French accent from me, lol). In this conversation, I'm talking about my recent art series, my sources of inspiration, my friend Peter S. Quinn and my exhibitions.

.

An interview I gave for Embrosyst (a visual communications e-magazine based in Indonesia). The interview was published in the issue 9 (October 2011)


A recent news article about my work by
Alessia Cisternino (it's in Spanish). It was
published on lainformacion.com a few hours ago.
.
Online Publications:
.
(this is just a small selection among
thousands of articles these past days)

.

Yahoo News (Oct. 2011)

(it was on the homepage of Yahoo USA, Canada, Argentina and Spain)

Tuoitre (2011)


Peru.com (2011)


Radikal (2011)


Okezone (2011)


My Metro (2011)


FYIapple (2011)

.
Printed Publications:

The Battered Suitcase
- USA (2011)
.
(book cover)

.

Les Nouvelles en Braives - Belgium (2011)
.
(magazine cover)

.

In Pursuit of Silence - South Korea (2011)
.
(book cover)

.
Kiaušaitė for "Šeimininkė" (*)
.
Exhibition of the "Pencil Vs Camera"
series at The Coach in Belgium
.
Well, I guess everything begins somewhere. When and how did you find photography and drawing so close to you? Were there any influences on you?

My mother is a dancer, my father an engineer and also a poet. These 2 persons were my initial inspiration and introduction to the artistic world. I chose traditional drawing and painting first and then focused on photography and digital art (see my portfolio). Some great and passionate teachers have also influenced me in a great way when I was a kid.
.
If you had to introduce yourself by telling just one story, what would it be?

Here is a pitch: A random and creative guy trying to survive somewhere in the universe and willing to share his thoughts with others.
.
One of your projects is called “Pencil vs camera”. How was it born and what’s the main idea of it? Does photography and drawing always have to compete to one another in your life? Do you believe that technique means something about how good or bad a creation is?

The main idea behind Pencil Vs Camera was to oppose imagination and reality. There could have been several artistic forms to express this concept but I chose the 2 disciplines I like the most. Pencil Vs Camera was born almost by coincidence as I was doing something else. But it is also the result of several years of graphic research.
.
Are you a keen newspaper reader? Or the Internet satisfies your needs completely? What about all the fighting between classic media and the new, digital media? It's a very resounding question these days - digital vs. film, pencil vs. photoshop, newspapers and magazines vs. blogs and etc. Who's the winner here? :)

Yes, I love reading the news in general to be aware of what’s happening everywhere in the world. I’ve been formed to do this during my degree in Journalism. I used to read in the paper but I must admit that the Internet is becoming more and more my primary source of information. I think there won’t be any winner or loser in the current conflict between historic newspapers and new sources of information such as blogs or online news sites, etc. They should work together to achieve the most powerful communication and information system ever. And this is where we’re going slowly. It’s true, I find it more comfortable to read stuff on a physical paper that I can hold in my hands, but I’m afraid all the paper supports will disappear one day not only because of the tough concurrence with digital information but also because of ecological reasons.
.
You seem to be a very creative person, always searching for something new. Is there such thing as routine in your life? What are the things that inspire you and let you down?

I know it’s easy to say, but everything inspires and influences me. Routine is something I dislike but we all have to accept it from time to time.
.
Your photographs combined with drawings sometimes look like original and provoking ads. Is advertising on your 'map'? Maybe you have some experience working in an agency or something?

Looking like ads? Really? Haha, I promise that I wasn’t paid by any brand or company to produce my PvsC images. I’ve done all of them only for myself. Because I find it useful to express a wide range of things and because I believe it can easily become a new form of individual expression. These visual compositions convey lots of personal messages but I have tried to also focus on issues that concern us all.
.
Most of your work in “Pencil vs camera” project are cheerful or at least ironic. How do you see the world, what are your beliefs?

I’m rather an optimistic person. But I’m very realistic too. I’m often thinking about the end of life as we know it and about the phenomenal contrasts inherent to our human condition. I really hope human beings will change the way they live or we’ll definitely pay for all our mistakes and abuses. Irony and humor are good tools to evoke dramatic subjects.
.
It seems some of your work contains content which varies from politics, culture, and even globally important questions like littering, global warming and so on. Are these things important to you?

Yes, as mentioned above, I really care about our future and environmental topics such as pollution of our planet are subjects that I like to refer on in my artistic work. I used to be a political cartoonist so I always have an opinion that I like to defend. I guess this is also the influence of my previous studies in Journalism. We all have a voice and an impact, those who can afford to speak freely should realize this is a huge chance. I believe it’s better to say anything that makes sense than nothing at all.
.
Your biography tells you're from Ivory Coast. You live and work in Europe today. Has European culture and/or art made any significant influence to your African nature and character?

I just feel like a citizen of the world but yes, I was born in Ivory Coast, somehow by accident and lived there 7 years. And I’m now based in Brussels. I also lived in the UK and in Holland during my studies. So I’ve never belonged to any country, I’m neither a patriot nor a nationalist, I find beauty in every human being not in ideologies. In all honesty, I find Europeans more overconfident than any other people. This is part of our culture, but we should remember we’re all from the same species under the same rules. We don’t have control of everything.
.
When you’re drawing or shooting, how does it feel to you? Is it an open improvisation, or do you know exactly what do you want to achieve?

Creating is the activity that gives me the biggest satisfaction, it has changed the way I live and see things around me. There is sometimes a lot of improvisation in my artistic work. I never know where I’m exactly going when I develop a new concept but I always work hard to get the results I want, but as soon as I spend too long on a series, I usually get bored very quickly and want to start something else.
.
What does the word “art” mean to you? Does it have any difference to creativity?

I think “creative” art generates more interest in the public than “non creative” art but it doesn’t always need to be creative to be considered “art”. Anything can be called art in our modern society a long as there is a human being or at least an intellect behind it able to generate thoughts and hopefully emotions.
.
What’s the smallest thing that means the most to you?

Waking up with the person I love is something that means a lot to me. It gives me strength and courage.
.
Could you please just write your first thoughts related to these words:

Morning: Adventure, challenge, caffeine

Elegance: Birds, dancers, freedom

Nonsense: Weapons, wars, injustice

Beauty: Women/Men, Nature, Love

Cheek: Innocence, cuteness, kisses
.
What is living? How does it feel to live?

Interesting and profound question. A synonym of “living” for me is “breathing”. I really long for fresh places full of oxygen. As long as I’ll be breathing, I’ll be living, hopefully as a free person. And it feels good to live.

--------------

(*) "Šeimininkė" is a major weekly magazine based in Lithuania. The interview will also be available in Lithuanian.
.
Exhibition of the "Pencil Vs Camera"
series at The Coach in Belgium
- Pencil Vs Camera -
Recent Printed Publications


(More printed publications will be sent to me in the
coming days. I'll share them with you as soon as possible)

Het Nieuwsblad, Belgian newspaper
.
Ça m'intéresse, French science magazine
.
View, Belgian Photography Magazine
.
Daily Mirror, British tabloid newspaper

Printed Publication in
"Imagine Demain le Monde"

.

Two of my recent political cartoons appear in the new number of the sensational Belgian magazine "Imagine Demain le Monde": www.imagine-magazine.com (January/February - Number 77).
.
Carbon Tax
.

(Note: this is an illustration I made for the magazine
"Imagine Demain le Monde" www.imagine-magazine.com)
.
A carbon tax is an environmental tax on emissions of carbon dioxide. Carbon dioxide is a heat-trapping "greenhouse" gas. The purpose of a carbon tax is to protect the environment by reducing emissions of carbon dioxide, helping to mitigate climate change.
Publication in
'New Acropolis'
.
.
"New Acropolis" is the name of a philosophy school and a non-profit organization. It has branches in more than 50 counties around the world. More info on their website: www.acropolis.org/

My photo "Listen to Wisdom" was published on the cover of their official magazine in 16000 copies.
.
.
That is my original photo:
.

.
"Moonwalk Through Art"
Michael Jackson
Tribute Book

.
.
More than 100 artists have participated in this project.

The book is available at THIS LINK and you can preview it HERE

This book contains drawings, paintings, cartoons, digital art and poems admirers, artists and fans have made and dedicated to Michael Jackson, a man who inspired so many people all over the world to make a real difference. (One of my MJ portrait is on the cover and the 3 other ones I made are also in the book.)

This is a charity project, by buying this book, you will donate money to Mappa Mondo, a children’s hospice from the Red Cross in the Netherlands. Mappa Mondo is a house for children who suffer severe chronic diseases. The vision of Mappa Mondo is that children have the right to a safe environment, a home where they can play, learn, laugh and cry. Every child is unique and needs warmth, support, physical safety and homeliness.

------------

The whole project became a reality thanks to the efforts of Anne Peters, an artist from Eindhoven (The Netherlands), born in 1982. She is a photographer and digital painter, please visit her website for more information: www.conquista-online.com
.
.

.
Publication in
"La Libre Belgique"
.
.
Today’s publication in La Libre Belgique
(National Belgian newspaper), page 15.
It intends to announce the new size
and new focuses of the newspaper.
.
Original illustration with
colours below. Click to enlarge.
.
.
VISAS, What a Pain !

An illustration I made for "Gavroche" (a French magazine based in Thailand) and that illustrates the difficulties to get a Visa for French people who live in Thailand' (work permit, tourist Visa to extend...) or for Thai people to go to France.
Berliner Kurier
.
.
A publication of some of my
recent illustrations, via ToonPool
.
Publication in
the Fucid Mag

.
.
My painting "Mother Africa" was recently published in the Fucid magazine. See the online edition.

The FUCID is a non-governmental organization located in the University campus of Namur, Belgium. It intends to bring lasting social, political and environmental changes and promotes solidarity and citizenship.

Many thanks to the editors and to Benjamin Moriamé in particular. (Benjamin Moriamé is a Belgian journalist working for the FUCID and as a freelance for La Libre Belgique, Le Soir, Vers l'Avenir and several other magazines.)
.
Publication in
Acque & Terre

.
© 2008 - Ben Heine
.
My cartoon featuring Hugo Chavez and Che Guevara has made the cover of "Acque & Terre" (ISSN 1825-3679), an Italian bimestrial magazine dealing with international politics.

"Acque & Terre" presents texts in Italian and English written by renowned authors such as Askar Abdrakhmanov, Stephen Blank, Antonio Maria Costa, Stefano Gatto, Michele Genovese, Alexey Ikonnikov, Anar Khamzayeva, Ferdinando Riccardi, Ivo Marussi, Howar Talabany and Gianluca Toschi.

Many thanks to "Acque & Terre" editors.
.
Creative Commons License
Le Monde Diplomatique,
Polish Edition

.
.
This September, one of my paintings,
"Bushmen", is published in
the Polish edition of
"Le Monde Diplomatique"

.
--------------------------

Many thanks to Przemysław Wielgosz, editor in chief of "Le Monde Diplomatique", Polish edition. And warm thanks to Marcin Bondarowicz for his help and kindness !

--------------------------
.
Le Monde diplomatique

Le Monde diplomatique is a monthly publication offering analysis and opinion on politics, culture, and current affairs. Its articles are long, thoughtful, scholarly, and opinionated. First created mainly for a diplomatic audience, as its name implies, it has in recent years taken a critical view on the effects of supposed economic neoliberalism on the world and its population.

It thus includes articles both of a not so neutral, scholarly nature, and more opinionated pieces which qualify as advocacy journalism. However, its analysis and articles, because of their seriousness and accuracy, are still read by scholars and people across the entire political spectrum. Since the 1970s, its editorial line has become decidedly altermondialist and left-wing. Throughout the Cold War, it had a neutralist viewpoint, often critical of US foreign policy.

Today headed by Ignacio Ramonet, the original French edition has a circulation of about 350,000; sixteen editions in other languages bring the total to about 1.4 million readers worldwide. Jean-Marie Colombani, editor of the daily Le Monde, was attributed by Le Monde diplomatique's director general Bernard Cassen as saying: "Le Monde diplomatique is a journal of opinion; Le Monde is a journal of opinions."

1954 Formation and History

Le Monde diplomatique was founded in 1954 by Hubert Beuve-Méry, founder and director of Le Monde, the French newspaper of record. Subtitled the "organ of diplomatic circles and of large international organisations" 5,000 copies were distributed, comprising eight pages, dedicated to foreign policy and geopolitics.

Its first editor in chief, François Honti, made the newspaper into a scholarly reference journal. Honti attentively followed the birth of the Non-Aligned Movement, created out of the 1955 Bandung Conference, and the issues of the "Third World".

Claude Julien became the newspaper's second editor in January 1973. At that time, the circulation of Le Monde diplomatique had jumped from 5,000 to 50,000 copies, and would reach, with Micheline Paulet, 120,000 in less than twenty years. Without renouncing its "Third-worldism" position, it extended the treatment of its subjects, concentrating on international economic and monetary problems, strategic relations, the Middle-East conflict, etc. Le Monde diplomatique took an independent stance, criticizing the neoliberal ideology and policies of the 1980s, represented by Margaret Thatcher and Ronald Reagan.

After the November, 1989 Fall of the Berlin Wall and the 1990-1991 Gulf War, the newspaper made an important turn, and criticized the "American crusade". Ignacio Ramonet was elected director in January 1991. Le Monde diplomatique analyzed the post-Cold War world, paying specific attention to "ethnic" conflicts – the wars in former Yugoslavia, the 1994 Rwandan Genocide, the conflicts in the Caucasus, etc. – as well as to the new information technology.

After having published a famous editorial in January 1995 where Ramonet coined the term "pensée unique" ("single thought") to describe the supremacy of the neoliberal ideology, the newspaper supported the November-December 1995 general strike in France against Prime minister Alain Juppé's (RPR) plan to cut pensions. Three years later, after a proposal in a 1997 editorial by Ignacio Ramonet, Le Monde diplomatique took a founding role in the creation of ATTAC, an alter-globalization NGO, which was originally founded for advocacy of the Tobin tax, and which has since spread throughout the world.

It now supports a variety of left-wing causes. The newspaper also takes an important role in the organisation of the 2001 Porto Alegre World Social Forum. After the September 11, 2001 attacks and the Second Gulf War starting in 2003 under the George W. Bush administration, Le Monde diplomatique continues its position of criticizing the US policy of violent intervention in the Middle East and the neoconservative' project to reshape the so-called "Greater Middle East" region.

The Norwegian version of the July 2006 Le Monde diplomatique sparked interest when the editors ran, on their own initiative, a three page main story on the 9/11 attacks and summarized the various types of 9/11 conspiracy theories (which were not specifically endorsed by the newspaper, only recensed). The Voltaire Network, which has somehow changed position since the September 11 attacks and whose director, Thierry Meyssan, became a leading proponent of 9/11 conspiracy theory, explained that although the Norwegian version of Le Monde diplomatique had allowed it to translate and publish this article on its website, the mother-house, in France, categorically refused it this right, thus displaying an open debate between various national editions. In December 2006, the French version published an article by Alexander Cockburn, co-editor of CounterPunch, which strongly criticized the endorsement of conspiracy theories by the US left-wing, alleging that it was a sign of "theoretical emptiness." The Norwegian Le Monde diplomatique, did again however mark its difference from the mother edition by allowing David Ray Griffin's response to Cockburn to be published in their March 2007 issue.

Le Monde diplomatique SA

The monthly became a subsidiary company of Le Monde SA in 1996, which grants its complete editorial autonomy from Le Monde. André Fontaine, the director of Le Monde, had already signed a 1989 convention with Claude Julien which guaranteed the monthly's autonomy, but it gained complete statutory, economic and financial independence in 1996 with the creation of Le Monde diplomatique SA. With a donation from Günter Holzmann, a German antifascist exiled before World War II to Bolivia, the monthly's employees acquired approximately one-quarter of the capital, while Les Amis du Monde diplomatique, a 1901 Law association of readers, bought another quarter. Thus, since the end of 2000, the newspaper's employees and readers retain 49% of Le Monde diplomatique SA's capital, largely above the control stock necessary to control the direction and editorial line of the Monde diplo. The remaining 51% is owned by Le Monde.

Today's Distribution and Advertising

The original French edition has a circulation of about 350,000; sixteen editions in other languages bring the total to about 1.4 million readers worldwide.

Although Le Monde diplomatique publishes few in order to retain its editorial independence, it has sometimes been criticized for the quantity and nature of the published advertisements [citation needed]. In November and December 2003, two-page advertisements by IBM and a car manufacturer were placed. The issues of February and March 2004 contained advertisements by Microsoft in a 'social' atmosphere with a picture of children, which led to agitation from free software activists.

(Source : Wikipedia)
.