Showing posts with label photo. Show all posts
Showing posts with label photo. Show all posts

Interview de Ben Heine pour le magazine Digital Photo (France)

 Interview de Ben Heine pour le magazine Digital Photo (France)

Digital Photo Magazine: Dessinateur depuis l’enfance et peintre depuis l’adolescence, le photographe et illustrateur Ben Heine est aussi musicien. Découvrez l’univers riche en couleurs de cet artiste de 35 ans aux multiples talents…

C’EST pendant ses études universitaires en journalisme que Ben a commencé à étudier et à pratiquer la photographie en autodidacte. Depuis, il s’est forgé une carrière d’une polyvalence rare tout en restant fidèle à son style et ses oeuvres sont exposées régulièrement partout dans le monde. Il est devenu célèbre en 2010 en inventant une nouvelle forme artistique appelée « Pencil Vs Camera », il en a d’ailleurs réalisé un ouvrage paru en 2017 et regroupant plus d’une centaine de ses oeuvres.

Son envie de devenir photographe a été motivée par le fait qu’il « trouvait génial de capturer des petits instants de vie presque anecdotiques et leur donner un “moment de gloire” en les présentant sous leur meilleur angle ». Ben explique aussi qu’en tant que dessinateur et peintre, il était fasciné qu’un simple appareil photo capture autant de détails et d’informations visuelles : « Il ne reste à l’artiste plus qu’à donner un sens aux pixels, à retoucher, remodeler, recadrer et sublimer ces informations. »

Il aime les images épurées et parfois minimalistes, la transmission d’un message simple mais universel : « Le noir et blanc photographique me fascine aussi, je le considère comme un dessin ultra-réaliste. »
Il puise son inspiration première majoritairement du photographe israélien Gilad Benari. Les photos de Robert Doisneau, Henri Cartier-Bresson et Steve McCurry le fascinent également.

En plus de la photo, le dessin et la peinture, Ben s’est lancé dans la musique en 2012. « Je joue du piano et des percussions et je me suis spécialisé dans les programmes de création et de production musicale (notamment Ableton, qui est un peu le Photoshop de la musique…). J’écris et compose des chansons.

Je réalise tout de A à Z et mon style musical est dans la tendance Electro Pop. Et en effet, je réalise des clips pour ces musiques où il m’arrive de monter mais je délègue de plus en plus cette activité. Lorsque j’ai commencé j’ai trouvé qu’il y avait beaucoup de similitudes dans les processus des effets graphiques et musicaux, par exemple la netteté d’une image correspond pour moi au son aigu d’une note et le flou graphique correspond à la réverbération sonore, il y a tant d’autres exemples… »

Ben aime s’amuser en postproduction comme le montrent nombre de ses photos. C’est le cas par exemple de la photo de l’énorme figuier de la baie de Moreton qui a été prise à Séville en Espagne : « J’ai bien sûr réalisé un travail de postproduction et de retouche en repeignant le tronc, les racines et les branches avec des couleurs qui me parlent. J’ai pour cela utilisé l’outil Color dans Photoshop. Comme très souvent, il me faut plusieurs jours pour retoucher une seule photo. »

Cette année, il a des expositions prévues à Bruxelles et à Namur en Belgique. Il nous parle de ses projets en cours : « J’ai beaucoup d’ateliers et de projets en préparation dans les écoles en Belgique et à l’étranger car mon concept Pencil Vs Camera est devenu populaire dans les milieux scolaires. Il est enseigné par les professeurs pour stimuler l’imagination des enfants et ados, ainsi que l’utilisation des nouvelles technologies, pour susciter le débat, apprendre la photo, le dessin, etc. Je travaille aussi sur plusieurs nouvelles photos, une version améliorée du concept Pencil Vs Camera et des chansons. »

Baby Girl on Her Way


Ben Heine's little girl is on her way, the birth will happen in a couple of weeks. She sticks her tongue out and hides her face with her foot... The parents are proud and so happy already.

Interview for Volkswagen Magazine - EN (*)

Artist Ben Heine in Studio with creative backdrop
© 2013 Ben Heine
(Version française à ce lienNederlandstalige versie hier)

INTRO: Editorial writer of the fall issue of Volkswagen Magazine, Ben Heine is a Belgian multidisciplinary artist who knows how to mix creative techniques. He is the inventor of Pencil Vs Camera, a creative concept blending drawing and photography. He also works on the human body in his Flesh and Acrylic series. Ben Heine plays with digital or traditional mediums, his artworks are always breathtaking.

Peyo Lissarrague: You have a degree in journalism, but you're a self-taught person in drawing. Is it more difficult to gain recognition from your peers in the art world?

Ben Heine: There are good and bad sides of being a self-made artist. I've certainly missed many professional opportunities and some other artists might look at me condescendingly. But it is also an amazing chance to be free from all the academic rules and dogmas. I can choose my own path. I have been drawing passionately since my early childhood. I have worked a lot. I don't believe in innate talent. You have to work with perseverance to become an expert in any discipline.

Having studied journalism, you could have become a political cartoonist, why did you choose something else?

I have a lot ot admiration for press cartoonists. It must very hard to illustrate complex political situations in a few lines. As far as I'm concerned, I prefer to express universal values instead of trivial everyday life details. I don't want to be a controversial artist and I'm not a politician. I prefer to gather rather than provoke. It is a message of love and friendship that I try to express. I  hope everybody understands the simple hidden messages I share in my images. 

You are inspired by the Surrealists, including Magritte. Do you believe Art is a game?

Yes, definitely, I think Art is a game and also a big illusion. In my work (especially in Pencil Vs Camera), I try to convey a childlike and humorous view of the world. This does not prevent me from defending deeper humanist values ​​as well.

In Pencil vs Camera, your hand or full body are part of the image composition. It is a choice?

My hand is indeed always clearly visible because I hold the piece of paper that fits into the picture. Intuitively, I felt from the beginning that it was a necessary choice to balance everything. Yet it is not a pretty woman's hand, it breaks a bit the harmony. But it was important to emphasize the contrast between imagination and reality and to show that the final artworks are not simple photomontages. I really hold a piece of paper and the drawing is always handmade. It involves a lot of work.

Your idea has since been widely adopted...

Advertising agencies have used my concept many times (in some cases, they just stole the idea...). It proves at least that it is a good concept. Pencil Vs Camera  is a series evolving permanently but it will be over soon or later, when it reaches one hundred images. I already started working on other projects such as Digital Circlism (​​portraits of celebrities with large circles) and Flesh and Acrylic (large abstract paintings with living models) and I started a musical project one year ago... a new adventure for me.

(*) Volkswagen Magazine is the official magazine of the Volkswagen car brand in Belgium. It delivers advices for Volkswagen car owners, information about the latest Volkswagen vehicles, competitions, articles about the latest technology trends, sport, art, culture and festivals. Read the above interview on Volkswagen Magazine website at this link (in French).

Editorial, interview and cover in Volkswagen Magazine (2013)
Editorial, interview, cover - Volkswagen Magazine (2013)
Illustration for an article in Volkswagen Magazine (2013)

Interview pour Volkswagen Magazine - FR (*)

Artist Ben Heine in Studio with creative backdrop
© 2013 Ben Heine
(Nederlandstalige versie hier English version here)

INTRO: Editorialiste de l’édition d’automne du Volkswagen Magazine, Ben Heine est un artiste multidisciplinaire qui sait jongler avec les techniques et les supports. Il mélange photo et dessin, notamment dans sa série ‘Pencil Vs Camera’, mais il travaille aussi sur le corps humain, dans ses œuvres ‘Flesh and Acrylic’. Virtuose du crayon, il utilise également volontiers le digital, passant sans difficulté de l’un à l’autre et offrant au regard des images toujours saisissantes.

Peyo Lissarrague: Vous avez fait des études de journalisme, mais vous avez appris le dessin en autodidacte. Cela rend la reconnaissance par vos pairs plus difficile?

Ben Heine: Il y a des avantages et des inconvénients à être un autodidacte. Le fait de ne pas avoir fait des études d’art poussées m’a sans doute parfois fermé des portes, et certains artistes me regardent peut-être avec condescendance. Mais c’est aussi une formidable liberté qui m’est donnée. Je peux sortir des sentiers battus, je ne suis pas prisonnier des canons académiques ou d’un enseignement typé. Et puis je dessine depuis ma plus tendre enfance, avec passion. J’ai beaucoup travaillé. Je ne crois pas vraiment au ‘don’. C’est en dessinant qu’on devient dessinateur. Avec persévérance.

Vous avez étudié le journalisme, vous êtes dessinateur… vous auriez pu choisir de devenir cartooniste d’actualité. Qu’est-ce qui vous a fait suivre une autre voie?

J’ai beaucoup de respect et d’admiration pour les dessinateurs d’actualité. Il est très difficile d’exprimer des situations complexes en quelques traits. Pour ma part, je préfère toucher à l’universel plutôt qu’aux détails du quotidien. Je ne suis pas un artiste polémique. Sans aller jusqu’à refaire le monde, c’est un message d’amour et d’amitié que j’ai envie de faire passer. Je veux parler à tout le monde, rassembler plutôt que provoquer.

Vous êtes inspiré par les surréalistes et notamment par Magritte. L’art est un jeu?

Oui je crois que nous devons mettre de l’humour dans l’art. Avoir un regard ludique, enfantin. Ce qui n’empêche pas de défendre des valeurs humanistes ou d’avoir de la profondeur.

Dans votre série ‘Pencil vs Camera’ vous jouez justement sur ces registres. Vous ne vous cantonnez pas dans l’illusion d’optique, puisque vous vous mettez en scène dans l’image. C’est un choix ?

Je fais en effet apparaître ma main dans cette série. Je tiens un dessin qui s’intègre à la photo, et ma main est bien visible. Instinctivement, j’ai dès le début senti que cela était nécessaire à l’équilibre du tout. Pourtant ce n’est pas une jolie main de femme, par exemple, ma grosse main d'homme casse un peu l’harmonie. Mais il le fallait pour aller au bout du concept et marquer l’irruption de l’imagination dans la réalité de la photo. Il fallait que l’on voit clairement que ce n’est pas un photomontage. Je tiens réellement le dessin à la main, et je cadre ma photo pour que les lignes correspondent. C’est très physique !

Votre idée a depuis été largement reprise…

Des agences de publicité notamment se sont ‘inspirées’ du concept. C’est bien, cela prouve que l’idée est bonne ! Pour moi, ‘Pencil Vs Camera’ est une série qui prendra fin un jour. Je m’arrêterai après avoir réalisé cent images. Je travaille déjà sur d’autres projets notamment ‘Digital Circlism’ où je réalise des portraits de célébrités à la manière pointilliste, mais avec des cercles de grande taille. J’ai également amorcé un travail autour du corps, ‘Flesh and Acrylic’, dans lequel je mets des modèles vivants en scène, entièrement peints et intégrés dans un trompe l’œil abstrait. Et puis j’ai commencé un projet musical il y a un an… une nouvelle aventure.

(*) Volkswagen Magazine est la publication officielle de la marque de voiture Volkswagen en Belgique. La revue propose des conseils auto, des infos sur les derniers modèles de voitures Volkswagen, des concours, mais parle aussi des tendances actuelles, de sport, d'art et de festivals. Retrouvez l'interview ci-dessus sur le site de Volkswagen Magazine à ce lien.

Editorial, interview and cover in Volkswagen Magazine (2013)
Editorial, interview, couverture - Volkswagen Magazine (2013)
Illustration pour un article dans Volkswagen Magazine (2013)

Pencil Vs Camera - 73

Ben Heine Self Portrait - Pencil Vs Camera 73 - Drawing Photography - 3D Art - 2013
Pencil Vs Camera - 73 © Ben Heine | Buy a print today
A recent project I made in my new studio. Was I having a dissociative identity disorder or is this just an optical illusion or maybe an invisible 3D mirror? Who will be the winner? You can view the sketch in progress here below (4 steps) and the complete Pencil Vs Camera series at this link. New: Buy the above artwork as a print!

Ben Heine Self Portrait - Pencil Vs Camera 73 In Progress - Drawing Photography - 3D Art - 2013
Step 1 - Pencil Vs Camera 73 in progress © Ben Heine

Ben Heine Self Portrait - Pencil Vs Camera 73 In Progress - Drawing Photography - 3D Art - 2013
Step 2 - Pencil Vs Camera 73 in progress © Ben Heine

Ben Heine Self Portrait - Pencil Vs Camera 73 In Progress - Drawing Photography - 3D Art - 2013
Step 3 - Pencil Vs Camera 73 in progress © Ben Heine

Ben Heine Self Portrait - Pencil Vs Camera 73 In Progress - Drawing Photography - 3D Art - 2013
Step 4 - Pencil Vs Camera 73 in progress © Ben Heine

Hidden Vision

Hidden Vision - Photo by Ben Heine with Chinese model Zhuzhu
Hidden Vision © 2013 Ben Heine

A portrait of Chinese model Zhuhu. I took this photo a few weeks ago in a forest near where I live in Rochefort, Belgium. You can view a detail here and my other photos with Zhuzhu here.

Ben Heine interviewed
by MyDesy (*)
.

Please tell MyDesy readers about your art and design background and what made you become an artist and designer.

I have been drawing, painting and taking photos as a professional for almost 10 years now. I briefly studied sculpture and traditional painting in Hastings (England). I'm mainly a self taught visual artist. I also have a degree in Journalism which helped me having a global view of the world we live in.

Where can we find you (Twitter/Site/Blog/….)?

You can follow my work on many online networks. I'm an active member on Twitter, Blogger, Flickr, DeviantArt, Facebook, etc... you may just find me by searching my name on any of these social websites. I'm also going to show and sell my creations in a new website called "The Artistery" (coming soon).

Do you work in an office? What is your routine like?

Well, not really. I work as a freelance creator from home. I usually spend most of my time developing new ideas and personal projects. From time to time, I also focus on specific commissions.

Your work is full of creativity mixing painting with photos but with a sort of humor. Do you ever get stuck with creativity block? What would you do to get out of it?

I've never had any kind of creativity block because I always try to not be stuck in one single graphic discipline. I get bored very quickly when I do the same type of work during several weeks. So I just do my best to find new forms of visual expression, new graphic styles, sometimes merging together various techniques I've already experimented. This is very exciting for me and it really helps to convey ideas and concepts in a different way.

You’re developing a new technique called Circlism, would you please introduce us to this?

Yes, I have recently been working on "digital circlism", making several portraits of famous people (such as Bob Marley and Lady Gaga among others, I'm now making a circlist portrait of Elvis Presley). This is a totally new technique and I'm still discovering and improving it. Circlism is a mix between pointillism and Pop Art. Every of my circlist creation is made with several thousands of little circles on a black background. The colored circles are digitally applied one by one in a non automated way. The most important for me is to focus on the dynamic lines of the represented subject and to generate a nicely textured image with a 3D illusion.

Could you describe for us your typical 'start to finish' workflow when working on a design?

It really depends on the type of graphic work I'm doing. Retouching and improving photos is usually the easiest and fastest task for me. Complex photo-montages are a bit more time consuming. Making full and inventive digital paintings is the most difficult and challenging but also the most rewarding. It takes more time and usually requires preparatory sketche/studies and a step by step creation process. One circlist portrait takes me several days of work at least.

What, for you personally, are the pros and cons of being a designer?

I see lots of advantages. Working in the visual communication field offer many professional possibilities and designs are always needed to express any kind of ideas and concepts. But graphic art also has clear limits in the impact it can have, I think it will never be able to generate strong emotions as music can do for instance. Music is definitely more powerful.

How does your job as a designer influence your life? Do you feel that you see things around you differently for example?

I really just feel like a "regular everyday normal guy" (Jon La Joie), lol. Everything around me influences me, that's for sure. I always try to make art with the simple elements that surround me.

What are your tools of the trade, both hardware and software?

I work on a nice Mac and use well known softwares such as Photoshop, Alchemy, Illustrator, Painter... I have a basic Wacom digital tablet... and an old Nikon D7O camera (I'll soon have a better camera and more powerful tablet, can't wait...).

What are your plans for the future? Any creative work coming up, or that you're currently working on, that you're excited about?

I'm going to finish my "Pencil Vs Camera" series. Then I intend to make a few more circlist portraits. And I'll be working on new creative series in the coming weeks. But I can't already reveal precisely what it will be.

What are your favourite 5 websites, and why?

I like Abduzeedo, CGArena, Flickr, DeviantArt and ToonPool. The first 2 always bring interesting art news and exclusive updates with quality content, the 3 others have another purpose and present the artworks of thousands of famous and less famous artists. As a journalist, I really like finding new talents as well. And I'm now going to visit more often MyDesy, which I just discovered recently...

Once again , thank you very much for the interview. As a final word, do you have any tips for upcoming artists and designers?

My one and only piece of advice would be to suggest them to bring new content to the graphic world by following their own path and to never forget their initial dreams.

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(*) This interview also appeared in Chinese on MyDesy.com






This is sort of experimental. I'll be posting more
crazy creations in this style in the coming days/weeks.

----------------

Reality and Unreality

By Peter S. Quinn

Reality and unreality
It made me laugh
To be or not to be
Are the times epigraph

Everything you might see
Could be a sketch rough
Comprehending its duality
Is the world a bluff?

Endurance in durability
Wishes of arty autograph
On to each its infinity
Draw and photo half to half

© 2010 - Ben Heine
She is So Sexy
.


I took this photo a few days ago in Belgium
I wanted to express female erotism and sensuality

© 2010 - Ben Heine
2 Sides
.


I took this photo of a broken sculpture a few days ago

----------------

Black Angels


By Peter S. Quinn

In time and space,
Black angels
Shall find their ways.
There is this other you
Who lies inside and hide
You know of this too
Always in the night.
Black angels
Strong and wild,
Black angels
Never mild.
Sleeping in the days
When the sky is blue,
Then they show their face
When darkness comes through.
Black angels
Falling sin,
Black angels
All within.

© 2010 - Ben Heine
Random Man in a
Random World

.
.
Random Man

By Peter S. Quinn

He is “just a random man”,
Doing whatever he always can,... See More
Making his random steps to somewhere.

Meaning what he always does,
Making a reason for his cause,
Everything in the world is his affair.

Random man please dance on,
Days are turning and years are gone,
Random man you are me and I'm you.

He has a dream that must come true,
It’s for the world to be all new,
Step by step in a noble peace.

Random man come and give,
Everything that you can live,
In your ideal world of love
That tomorrow must be full of.

Meaning what he always does,
Making a reason for his cause,
Everything in the world is his affair.

Random man please dance on,
Days are turning and years are gone,
Random man you are me and I'm you.

He “is just a random man”,
Doing whatever he always can,
Making his random steps to somewhere.

(Parody to the Beatles song, “Nowhere Man”)

That Teddy is in Real Trouble...
.

I found that in a street of Brussels a few days ago, kind of scary and disgusting, I know, but this is so unusual that I wanted to share it.

Château de la Hulpe
.

I took this photo in La Hulpe near Brussels. The "La Hulpe Castle" was built in 1842 and overlooks nearly 220 hectares of meadows, woods and ponds on the edge of the nearby Soignes forest. The old Solvay field is a splendid extension of the forest and has some remarkable trees. It is a beautiful place for walking and relaxation. So much green, so much blue...

The Future is Bright
.
© 2009 - Ben Heine
.
A picture I took during my safari in Kenya.
Loneliness
.

A picture from Kenya.
The Wind is Blowing
.
.
Dancer of the Sky

By Peter S. Quinn

Dancer of the sky
Dance in clouds faraway
Every reach and try
Drifts and cannot stay
White hazy a yonder
Too far into the blue
Makes a gesture and ponder
As it goes on through

Happy moods going
Wind wind in its blow
Azure sky glowing
Blue and white as snow
Dancer dance your song
Into a distance dream
So I may still long
With sun evening gleam

Dancers of the sky
Run on the silky ways
For the gazing eye
In their heavenly plays
While these moments last
World’s beautiful vision
For a hope to recast
In our own precision
.
Meeting Richie Hawtin
aka Plastikman
.
.
I met Richie Hawtin at the "10 Days Off"
electro festival in Ghent, Belgium

Richie Hawtin (born June 4, 1970) is an
English-Canadian electronic musician and
internationally-touring DJ. See his official website

I also made his portrait 2 months ago:
.
.